The Banloc Manor

Banloc (Hungarian: Bánlak, German: Banlok) is a commune in Timiş County, Banat, Romania. The village was first attested on 13 May 1400 in a document given by the copyist of Cenad as "Byallak" and for almost two centuries (1552-1716) became the summer residence of the Ottoman Pasha of Timişoara. In 1716, the Banat was conquered by the Austrians. The Banloc estate became the property of Croat Ban Draskovici and in 1783 was sold to Count Lázár (or Lazarus) Karátsonyi of Beodra (today Novo Miloševo, Serbia).

In 1793 the Count built the manor and during the 19th century and in the first years of the 20th century the buildings and the park enjoyed many improvements. At the end of WWI, the Serbians occupied the manor and devastated it. Covered in debts, the last count – Keglevich Karátsonyi Imre – sold in 1935 the remains of the domain, including the manor and the park to the ex-Queen Elizabeth of Greece, the sister of King Carol II of Romania. She renovated the entire complex, so the castle knew it’s last period of glory.

U-shaped, the Banloc castle is a Renaissance-style massive building with thick walls (approx. 1.25 m) of burnt brick, with the main façade facing south and at north with two wings forming a terraced courtyard. On the south façade the sole ornament was the Karátsonyi family crest carved in stone. The heraldic insignia was retained after the castle became property of the House Royal Romania, and was taken down after 1948. Compared with the simplicity of the south facade, the north façade - especially the two wings enclosing the yard - shows several elements of decoration: Baroque windows, alto-reliefs with well-defined themes (motives and heraldic themes inspired by Greek and Roman mythology) embedded in the masonry.

In addition there are 18th century iron decorations and the wrought iron lamps (one on each corner of the court) with the year 1793 specified on them. The wooden gates are provided with 18th century iron hardware and above there is a different themed alto-relief for each entry. The castle has basement, ground floor, first floor and attic. Each floor has a central large room, two rooms at left and two at right, and three rooms on each left and right wing.

An article appeared in "Dacia" newspaper in 1939 said: "Banloc’s beauty is given by the park which takes a good part of the right wing of the village, ending its surrounding walls – like ones of a castle - in the center. At the crossroad of the alleys there are Roman statues and lapidary inscriptions, chiseled in the first decades after the conquest of Dacia, taken from Sarmizegetuza after a german paleography study enlightens me. Among the lines of trees, sit in circles and connected with the cemented wounds, one of the 100 acacia, brought to America by Maria Thereza (1740-1780). Banloc Castle walls have a Gothic sweetened line with the arrow pointed top, in front of the park. It was built on the old ground in 1783."

In 1948, immediately after the Communists seized the power in Romania, the Queen left and the manor was devastated, the statues were vandalized, and the archives and the library were burnt. Between 1950 and 1997 the building and its land were successively used as a headquarters of the agricultural association, care home for the elderly, orphanage or local school.

Photos from Wikipedia.

Neolithic sanctuary from Parţa

The Parţa tell, located about 18 km SW of Uivar one, was situated on the banks of one of the a major branch of the Timiş River and, as it is shown by the 19th century maps drawn before the complete regularization of the river. Prior to channelization, the site was surrounded by a series of meanders channels to the west and south, and by marshy land to the east.

The first Parţa dwellings were hollow pits, which have been taken for hovels and surface dwellings. The houses from this were are small and usually grouped in pairs. This lay-out presumably was determined by the organization of the family and by certain property relations. At the core of the settlement, an isolated house has been uncovered which, due to its central position and due to the fact that it was built above the sanctuaries 1 and 2, has been taken for a possible building for worship. In this first stage, the Parţa settlement was not fortified.

A virtual visit in the settlement.

Further, a settlement planning can be observed, in which the dwellings have been grouped around two structures of similar sizes, erected in the middle of the settlement, so reflecting the social value of the sanctuary as place of manifesting magical rituals. Around the two structures, the houses lied at a certain distance forming a small square. With only two exceptions, all the houses were aligned along the east-west axis, the orientation being dictated, by the strong gusts of the summer storms blown from the west.

The research carried out has shown that the two structures in the small square played a special role for the community life of Parţa. One of the structures, 12.6 m long and 7 m wide, is a sanctuary inside of which altars for offerings, monumental statues and columns once stood. On the northern wall there was an altar-table A which was oriented towards the south. On a clay socket stood an idol bust. In the western part, guarded by two posts, lay altar–table B. Inside the altar, several flint blades which were used for sacrifices were discovered. In the eastern part lay altar C, and at the center of the sanctuary there stood a clay column.

The exterior shows symbolic elements as the Moon and the Sun, the sacred hand grinding mill – which intensifies the magical power of the place. The Neolithic sanctuary from Parţa, the construction, which was favored by the existence of a strong religious, economic and social center, reflects the transmission of basic elements necessary for the creation of a spiritual-magical space according to the beliefs and rituals of that time, transmitted from one prehistoric civilization to another, originate from the latest Neolithic settlements – ancient cultural centers; meanwhile becoming traditional.

To the south of sanctuary 1 lay a structure of similar size that might have fulfilled a social function and namely that of “the house of the tribe”. A fortification system also was built into this level of habitation and was made up of four parallel ditches, lined inwards by four palisades that protected the settlement from the west, north and east sides.

Beginning with these elements that are part of the expression of the important place held by the religious space in the life of the human communities, built from resources of nature – as wood, clay, different vegetal materials, rock – which are crossed on magical symbols, we reach the recognition of all these during historical periods accurately maintained by the local popular tradition. Like the maintenance of the tradition of using natural materials as raw materials in the construction of different buildings and religious places, other practices, rituals and object have been maintained, which can be found nowadays in the popular tradition.

Sources: Muzeul Banatului, European Virtual Museum.

Uivar, a Neolithic akropolis

Uivar is a late Neolithic - early Eneolithic fortified tell site belonging to the Vinča culture, located in Timiş County, Banat, western Romania. Ten years ago, the archaeologists Florin Draşovean from Timişoara and Wolfram Schier from Wurtzburg began the exploration of the site in Uivar, making several discoveries which had revolutionized the way the Neolithic society was considered by now.

The fortress
The study of the archeomagnetic plan, whose precise outline has been generally confirmed by the excavation, permits a very accurate model of the settlement organization to be constructed. It can clearly be seen that the settlement was protected by a fortification system made up of several concentric ditches that enclosed a central area, a settlement with proto-urban character, a real "akropolis". The fortification system of Uivar is one of the most elaborate and complex ones from this part of Europe. Though built in several stages, it is the result of a unitary defense conception being made up of a double ditch ring and stockades that protected the central area and additional concentric ditches, 3.5 m deep, outwardly laid out beyond the central ring. The digging of defense ditches at Uivar led to the removal of more than 10,000 cubic m (!) of soil of which more than half is yellow clay.The fortification ditches, in addition to protecting a certain area of the site, were also used to delimit several areas for specific functions within the social space. While the akropolis was meant for habitation-, social life-, and spiritual life-related purposes, the inner ring space and the outer ring space had different purposes.

The akropolis
It is apparent that most houses are laid out on two concentric circles surrounding a possible square at the heart of the tell. At the same time, most houses are perpendicular to the inner fortification ring that belongs to the final, third stage, of the defense system development. All this information bears out the idea of a well-conceived settlement plan that was followed by the Neolithic inhabitants of Uivar. This plan underwent alterations over time due to the necessity of the enlarging the habitation area beyond the akropolis, under the standing conflict for space between the area outlined by the fortification and the continuously expanding population. This conflict was resolved very efficiently and, using a modern term, with professionalism, via the already mentioned southward enlargement of the area allotted for dwelling.

Neolithic villas
This need for more room is also reflected by the enlargement and two-storied design of some houses. One of these is a feature, whose development could be determined throughout its use life. Having its long axis running north-east to south-west, the structure has imposing dimensions (14 m x 6 m) and was made up of ground floor and upper floor. Most significant is its final stage in which the structure was to have three rooms of which the one to the west was covered by the flooring of an upper storey. This organization into three rooms and two stories did not exist in the structure’s first stage, and was added only in the last construction stage. This building had a purpose beyond its profane use, thus taking on a ritual role, and namely that of a sanctuary. Two-storey houses crop up in the Carpathian area in the late Neolithic and are strongly correlated with the appearance of tells.

The mask
In the Neolithic settlement were discovered pots, carved and polished stone tools, clay idols. But by far the most sensational discovery is a fragment of a mask of clay, brought to the surface in 2001, which, so far, is unique in Europe. "The piece is a half of a mask, one can see the eyes and mouth. It is a ritual mask used by tribal shamans, which was intended to turn a man into god. An analogy might be a statue discovered in Caraş-Severin, who has in hand a mask such as this one, because in the primitive world, this was an accessory of those who practiced magic", explains Florin Draşovean the meaning of the mask.

From Muzeul Banatului and other minor sources.