Gheorghe Marinescu (February 28, 1863, Bucharest – May 15, 1938, Bucharest) was a Romanian neurologist, founder of the Romanian School of Neurology.
Fatherless, Marinescu was guided, at his mother’s insistence and due to precarious means, towards becoming a priest, entering the seminary. Acquiring ethical and moral conduit, he then attends the Polytechnic School and then the classes of the Faculty of Medicine at the Bucharest University, with Victor Babeş as one of his professors. He received most of his medical education as preparator at the laboratory of histology at the Brâncoveanu Hospital and as assistant at the Bacteriological Institute under Victor Babeş, and with Babeş already early published several works on myelitis transversa, hysterical muteness, dilatation of the pupil in pneumonia etc.
Marinescu went with a grant to Paris to undertake postgraduate training in neurology and studied here for eight years while working for two great hospitals: the Salpêtrière Hospital, run by the famous Jean-Martin Charcot, and the Hôtel-Dieu Hospital. He later worked with Carl Weigert in Frankfurt a.M. and then with Emil du Bois-Reymond in Berlin. On the assignment of Pierre Marie he lectured on the pathological anatomy of acromegaly at the Berlin International Congress in 1890. Returning to the country, he will make the best use of what he had previously learned, in the Pantelimon (where a new professorial department had been created for him) and Colentina hospitals. He received his doctorate in 1895 at the Faculty of Medicine in Paris. Shortly thereafter, in 1897, a chair of Clinical Neurology was created in the University of Bucharest, at the Colentina Hospital. He remained in this post for the next 41 years and is regarded as the founder of the Romanian School of Neurology.
Between July 1898 and 1901 Marinescu made the first science films in the world, in his clinic in Bucharest: The walking troubles of organic hemiplegy (1898), The walking troubles of organic paraplegies (1899), A case of hysteric hemiplegy healed through hypnosis (1899), The walking troubles of progressive locomotion ataxy (1900) and Illnesses of the muscles (1901). In 1924, Auguste Lumière recognized the priority of professor Marinescu concerning the first science films.
Gheorghe Marinescu has been one of the first doctors in the world to apply histologic, histopathologic and anatomoclinics in the scientific research in the field of neurology. Important original contributions are made in the field of fiziology, histopathology and the practical learning of the nervous system (the theory of reflex trophicity, the palmomentony reflex, kinetoplasma, chromatolysis, neuronophagy). He owned over 1000 highly precious publications making a significant contribution to the world medicine in the domain of modern neurology. He published the book “The Nervous Cell” (2 volumes, over 1000 pages) in 1909, in Paris. It was the first book of that kind in the world, and it was not surpassed yet. Gheorghe Marinescu was an eminent teacher. In his lectures he emphasised ideas and gave perspective for further investigations. He was elected as a member of Romanian Academy in 1906 and was also member of 7 foreign academies.
Several words from his will: “No flower. No discourse. Those who have loved me should use the money for poor children and the good words to encourage the suffering… leaving for the world nobody ever came back from, I would not want to affect anybody but the truth must yet be told: there is too much injustice in the blessed Romanian Country”.
Gheorghe Marinescu
Anastase Dragomir
Anastase Dragomir (1896-1966) was a distinguished Romanian inventor, most famous for his patent registered together with Tănase Dobrescu, an early version of the modern ejection seat.
Anastase Dragomir was born on February 6, 1896, in Brăila, being the sixth child of the family. He was interested, as many of the young people of that period, of aviation issues. He went to France, where he worked on several aircraft factories. There he perfected his own system to save the pilots and passengers in case of accidents. On November 3, 1928, he recorded in France the patent application "Nouveau système de montage des parachutes dans les appareils de locomotion aérienne" and obtained patent no. 678,566 in April 2, 1930. This invention was "a new system of parachuting from the apparatus for air locomotion, each passenger having his own parachute that allows, in critical moments, the detaching of the whole ensemble from the plane, so the parachute along with the passenger installed in the seat go through a opening in the floor" and the patent require that this set of cell-parachute to have more controls, operated by the pilot.
Since there was not a favorable financial time for aviation, the idea of this system rescue was for a long time regarded with suspicion by officials and companies, due to significantly more expensive planes built. After several interventions, Anastase Dragomir managed to obtain necessary financing and began construction of "catapulted cabin". He experienced the invention in August 28, 1929, at Orly airport near Paris. For this purpose was modified a Farman airplane in which was installed the catapultable cockpit, after the indications of the inventor. The plane was piloted by Lucien Bossoutrot, owner of record of a flight without stopover. The experience was a success, confirming the usefulness of this invention. After the demonstration, French newspapers have emphasized the world priority of the invention.
After the experiment, Anastase Dragomir returned home, where, with the help of captain Constantin Nicolau, engineer of the Romanian aviation technical services, repeated the demonstration at the Băneasa Airport in Bucharest, in October 26, 1929. This time he used an AVIA plane, and the newspapers reported in detail about this ingenious and practical means of rescue. Based on the results obtained, he developed and refined the initial solution. In 1950 he obtained a new patent, Romanian, no. 40658/1950, for the "parachuted cell". In 1959 he recorded a new application, for a transport aircraft with cabins equipped with ejection, for rescuing the passengers (Romanian patent no. 41,424 from 1960). Anastase Dragomir died in 1966 in Bucharest.
Anastase Dragomir was born on February 6, 1896, in Brăila, being the sixth child of the family. He was interested, as many of the young people of that period, of aviation issues. He went to France, where he worked on several aircraft factories. There he perfected his own system to save the pilots and passengers in case of accidents. On November 3, 1928, he recorded in France the patent application "Nouveau système de montage des parachutes dans les appareils de locomotion aérienne" and obtained patent no. 678,566 in April 2, 1930. This invention was "a new system of parachuting from the apparatus for air locomotion, each passenger having his own parachute that allows, in critical moments, the detaching of the whole ensemble from the plane, so the parachute along with the passenger installed in the seat go through a opening in the floor" and the patent require that this set of cell-parachute to have more controls, operated by the pilot.
Since there was not a favorable financial time for aviation, the idea of this system rescue was for a long time regarded with suspicion by officials and companies, due to significantly more expensive planes built. After several interventions, Anastase Dragomir managed to obtain necessary financing and began construction of "catapulted cabin". He experienced the invention in August 28, 1929, at Orly airport near Paris. For this purpose was modified a Farman airplane in which was installed the catapultable cockpit, after the indications of the inventor. The plane was piloted by Lucien Bossoutrot, owner of record of a flight without stopover. The experience was a success, confirming the usefulness of this invention. After the demonstration, French newspapers have emphasized the world priority of the invention.
After the experiment, Anastase Dragomir returned home, where, with the help of captain Constantin Nicolau, engineer of the Romanian aviation technical services, repeated the demonstration at the Băneasa Airport in Bucharest, in October 26, 1929. This time he used an AVIA plane, and the newspapers reported in detail about this ingenious and practical means of rescue. Based on the results obtained, he developed and refined the initial solution. In 1950 he obtained a new patent, Romanian, no. 40658/1950, for the "parachuted cell". In 1959 he recorded a new application, for a transport aircraft with cabins equipped with ejection, for rescuing the passengers (Romanian patent no. 41,424 from 1960). Anastase Dragomir died in 1966 in Bucharest.
Brukenthal Summer Palace
Samuel von Brukenthal (1721, Nocrich – 1803, Sibiu) was the Habsburg governor of the Grand Principality of Transylvania between July 6, 1774 and January 9, 1787. He was a baron of the Holy Roman Empire, and personal adviser of Empress Maria Theresa. A passionate art collector, he built a palace in Sibiu, where in 1817 was arranged, according to his will, the first public museum in southeastern Europe.
The summer residence of Baron, the Brukenthal Summer Palace is located in Avrig, at 30 km from Sibiu. It was built between 1780 and 1785 in Baroque style, on the model of the Viennese Schönbrunn castle. The baron used to keep here his collection consisting of 212 paintings, and 129 engravings. Today these are in the museum of Sibiu.
The U-shaped baroque style palace has a central section and two wings, opening to an axial symmetrical garden. The palace has a ground-floor, one storey, a majestic staircase with several levels. During baron Brukenthal's life-time, the main hall was decorated with murals, there also were paintings and engravings gathered by him all over the palace.
The palace has one of the most beautiful parks, located 12 m below the palace and organized in wide terraces descending to the Olt River meadow. On the east side is the English garden, arranged in a natural way, with large grassy areas, unique trees, paths, halting places and a natural water fall. The central area was modeled on the French gardens, with fountains, central stairs, with lateral walkways, vases, benches, stone statues, greenhouses, an orangery. The Dutch gardens were full of flowers, vegetables and spices, such as pineapple, lemon, coffee and cardamom. The Baron integrate into the garden an agricultural farm - and was famous for his white buffaloes, sold even in Naples. It deserves to be restored as it is the only garden of a Baroque palace in Romania which has been preserved almost entirely.
At 70 years after the death of Samuel von Brukenthal, the line of inheritance of the family finished. His properties have passed through many owners until 1908, when - according to his will, came into possession of Sibiu Lutheran Parish. The Evangelical Church founded here a sanatorium. After WWII, the hospital was nationalized and used as a sanatorium. After the fall of Communism, the summer residence was returned to the German minority, by the Brukenthal Foundation. It took over responsibility for the maintenance and care of the palace and park in the spirit of Brukenthal, and to keep the cultural heritage of this remarkable Transylvanian Saxon.
Photos from Jurnal Românesc and Welcome to Romania.
The summer residence of Baron, the Brukenthal Summer Palace is located in Avrig, at 30 km from Sibiu. It was built between 1780 and 1785 in Baroque style, on the model of the Viennese Schönbrunn castle. The baron used to keep here his collection consisting of 212 paintings, and 129 engravings. Today these are in the museum of Sibiu.
The U-shaped baroque style palace has a central section and two wings, opening to an axial symmetrical garden. The palace has a ground-floor, one storey, a majestic staircase with several levels. During baron Brukenthal's life-time, the main hall was decorated with murals, there also were paintings and engravings gathered by him all over the palace.
The palace has one of the most beautiful parks, located 12 m below the palace and organized in wide terraces descending to the Olt River meadow. On the east side is the English garden, arranged in a natural way, with large grassy areas, unique trees, paths, halting places and a natural water fall. The central area was modeled on the French gardens, with fountains, central stairs, with lateral walkways, vases, benches, stone statues, greenhouses, an orangery. The Dutch gardens were full of flowers, vegetables and spices, such as pineapple, lemon, coffee and cardamom. The Baron integrate into the garden an agricultural farm - and was famous for his white buffaloes, sold even in Naples. It deserves to be restored as it is the only garden of a Baroque palace in Romania which has been preserved almost entirely.
At 70 years after the death of Samuel von Brukenthal, the line of inheritance of the family finished. His properties have passed through many owners until 1908, when - according to his will, came into possession of Sibiu Lutheran Parish. The Evangelical Church founded here a sanatorium. After WWII, the hospital was nationalized and used as a sanatorium. After the fall of Communism, the summer residence was returned to the German minority, by the Brukenthal Foundation. It took over responsibility for the maintenance and care of the palace and park in the spirit of Brukenthal, and to keep the cultural heritage of this remarkable Transylvanian Saxon.
Photos from Jurnal Românesc and Welcome to Romania.
Labels:
Avrig,
Baroque,
garden,
governor,
Maria Theresa,
palace,
Samuel von Brukenthal,
Sibiu,
summer,
Transylvania
Costeşti-Cetăţuia Fortress
The development and the prosperity era of the Dacian settlement on the Cetăţuia Hill - also that of whole complex of settlements in Orăştie Mountains - covers the period from Burebista to Decebal (1st century BC - 1st century AD). Destroyed after the second Roman-Dacian war and the conquest of Dacia by the Romans (105-106 AD), the fortress was never rebuilt.
Costeşti Fortress was the oldest and largest "dava" (fortress in Dacian) and is situated on the left side of Apa Grădiştei River, on the Cetăţuia Hill. Cetăţuia Hill with the fortress on its top form a great guard point, with large visibility, placed at the entrance of mountain range, where the valley suddenly narrows.
The defense system of the fortress was based on a sequence of three types of fortifications: a wave of earth, a stone wall 3 m thick, flanked by three towers and a double palisade surrounding the top of the height. The Dacian wall, built 2000-2500 years ago is perfectly straight and does not let any knife blade between its perfectly polished stones.
The highest plateau was occupied by two towers-house, built of stone blocks and bricks, barracks for soldiers and an observation tower. One can reach here climbing on the 'royal stairs', 3 m wide, made of andesite. The tens of andesite were artfully fashioned and endowed with incredible sewage channels.
The tower behind the stairs has cyclopic walls pointing to the solstice and is filled with big ilmenit bricks. On terraces were identified a tumulus on the southern part of the edifice, four sanctuaries, two water tanks and three isolated watchtowers guarding the antique access road.
Costeşti Fortress was the oldest and largest "dava" (fortress in Dacian) and is situated on the left side of Apa Grădiştei River, on the Cetăţuia Hill. Cetăţuia Hill with the fortress on its top form a great guard point, with large visibility, placed at the entrance of mountain range, where the valley suddenly narrows.
The defense system of the fortress was based on a sequence of three types of fortifications: a wave of earth, a stone wall 3 m thick, flanked by three towers and a double palisade surrounding the top of the height. The Dacian wall, built 2000-2500 years ago is perfectly straight and does not let any knife blade between its perfectly polished stones.
The highest plateau was occupied by two towers-house, built of stone blocks and bricks, barracks for soldiers and an observation tower. One can reach here climbing on the 'royal stairs', 3 m wide, made of andesite. The tens of andesite were artfully fashioned and endowed with incredible sewage channels.
The tower behind the stairs has cyclopic walls pointing to the solstice and is filled with big ilmenit bricks. On terraces were identified a tumulus on the southern part of the edifice, four sanctuaries, two water tanks and three isolated watchtowers guarding the antique access road.
Mucenicii
In the Orthodox calendar, the day of March 9 is dedicated to the Holy 40 Martyrs of Sevastia. It is said that in Emperor Lichinie times in Sevastia, Armenia, lived voivoda Agricolae that has 40 soldiers, all Christians. Hearing about that, forced them to deny their faith and to worship idols. Because they refused to renounce Christianity, were terribly tortured and eventually was burned at the stake. Mucenici or măcinici (Romanian for martyrs) are named also the spirits of ancestors, celebrated on this day.
In the popular calendar, Mucenicii, Moşii de Mărţişor (approx. The Elders from March), Sfinţişorii (The Little Saints) or Sâmbra plugului (untranslatable) (the name varies from one area to another) - means the end of winter, the beginning of spring and and of the agricultural year. On this day, in the rural areas there are a number of rituals in which people still believe: all those who do not have names of saints are celebrating this day their name day; all trash and debris collected over winter are set in fire in the yard or garden, and if the smoke goes straight up into the sky, it is said that in the next 40 days will be good weather to work the land; people give a sort of eight-shaped pretzels, made from pannetone dough, baked in the oven, then smeared with honey and sprinkled with crushed nuts and sugar; people drink 40 glasses of wine (or if they don't support this... treatment, 40 tablespoons of wine); the entire household is sprayed with holy water and incensed, three times, from east to west, as to banish evil, people and animals to be good all year, and the household to prosper.
In the popular calendar, Mucenicii, Moşii de Mărţişor (approx. The Elders from March), Sfinţişorii (The Little Saints) or Sâmbra plugului (untranslatable) (the name varies from one area to another) - means the end of winter, the beginning of spring and and of the agricultural year. On this day, in the rural areas there are a number of rituals in which people still believe: all those who do not have names of saints are celebrating this day their name day; all trash and debris collected over winter are set in fire in the yard or garden, and if the smoke goes straight up into the sky, it is said that in the next 40 days will be good weather to work the land; people give a sort of eight-shaped pretzels, made from pannetone dough, baked in the oven, then smeared with honey and sprinkled with crushed nuts and sugar; people drink 40 glasses of wine (or if they don't support this... treatment, 40 tablespoons of wine); the entire household is sprayed with holy water and incensed, three times, from east to west, as to banish evil, people and animals to be good all year, and the household to prosper.
Costeşti-Blidaru Fortress
The Dacian fortresses of the Sureanu Mountains (also known as the Orăştie Mountains) are famous in Romania (and an UNESCO World Heritage Site). Here was the capital of the ancient Dacian civilization. Many of the stone structures are still well preserved and open for the public to see. The area is also popular with local hikers as the view from the hill tops is breathtaking. While you are in the area, it's worth visiting some of the other Dacian fortresses. The defensive system of the Dacian fortresses of the Orašţie Mountains was built in the 1st centuries B.C. and A.D. under Dacian rule. These six fortresses (Capâlna, Baniţa, Luncani-Piatra Roşie, Costeşti–Blidaru, Costeşti-Cetăţuie, Sarmizegetusa) show an unusual fusion of military and religious architectural techniques and concepts from the classical world and the late European Iron Age. The six defensive works were conquered by the Romans at the beginning of the 2nd century AD; their extensive and well-preserved remains stand in spectacular natural surroundings and give a dramatic picture of a vigorous and innovative civilization. These Dacian fortresses are outstanding examples of this type of defended site.
The Blidaru Fortress [N 45.667765, E 23.162882] is located at 4 km from Costeşti, uphill the Apa Grădiştei Valley, at an altitude of 705 m - and is considered the most powerful fortress of the Dacian defensive fortification system in Orăştie Mountains. It was conquered by the Romans in 102 AD, later it has been rebuilt by Dacian King Decebal and finally completely destroyed by Roman Emperor Trajan in 106 AD.
On an area of 6000 square meters, can be seen the traces of two twin fortresses, built at different times. The first fortress, which covers the higher plateau of the hill, has the form of a trapezoidal with four outer towers, located in the corners. The entrance was through the first tower. The residence tower, of which the outline is preserved, is placed in such a way so as to prevent enemies from spreading their forces on the inside. The fifth tower, isolated, served as guard tower in front of the entrance (Poiana Perţii tower). West of the first fortress, the second one was built in a pentagon shape, with a single tower, others are common to both fortresses. What draws ones attention here are the war platforms on the northern and southern sides. Here were found also traces of small rooms, used to shelter the defenders of the fortress and warehouses for grain and water, walls constructed of stone and connected with earth, stone, etc. On the lower terraces are four sanctuaries, consisting of alignments of tambours. The two fortresses are remarkable by the originality of the building, strategic position and the technique of building.
Here is also another building, unique in the Dacian world and built, most likely, by a Roman craftsman or under its direction. It's a water tank, building erected outside the fortification on one of the western terraces, below the second fortress, as the water source is at a lower level. It has a height of 4 meters and 6.2 m on 8 m inside, with 2 m thick walls. The walls were covered with an impermeable layer consisting of lime, sand and brick crushing, a typical Roman construction. The mortar does not contain Calcium, still has bactericide properties.
General layout:
A. Fortress-1;
B. Fortress-2;
1. Access gate;
2. Observation towers;
3. Residence tower;
4. Water tank.
Systematic archaeological researches started in 1953 after a few random explorations in 1925 on the Muchia Chistoarelor and in 1944 on one of the Făeragului terraces. The upper plateau with the fortification was studied from 1953 until 1959. The 2003 campaign was focused on the research of a tower identified along the road leading from Valea Făeragului towards Luncani, at "La Vămi". The length of the tower is 11.90 m at the exterior and 6.80 m in the interior, the width of the wall is 2.60 m, being built in the technique called "murus dacicus". This tower is one of the many towers placed on the terraces of the Blidaru hill, in the Făeragu-Târşa Luncani area, with a view towards Orăştie and Grădiştea valley. The archaeological material consists of fragmentary gutter and roof tiles.
Ideea and photos from Jurnal Românesc.
The Blidaru Fortress [N 45.667765, E 23.162882] is located at 4 km from Costeşti, uphill the Apa Grădiştei Valley, at an altitude of 705 m - and is considered the most powerful fortress of the Dacian defensive fortification system in Orăştie Mountains. It was conquered by the Romans in 102 AD, later it has been rebuilt by Dacian King Decebal and finally completely destroyed by Roman Emperor Trajan in 106 AD.
On an area of 6000 square meters, can be seen the traces of two twin fortresses, built at different times. The first fortress, which covers the higher plateau of the hill, has the form of a trapezoidal with four outer towers, located in the corners. The entrance was through the first tower. The residence tower, of which the outline is preserved, is placed in such a way so as to prevent enemies from spreading their forces on the inside. The fifth tower, isolated, served as guard tower in front of the entrance (Poiana Perţii tower). West of the first fortress, the second one was built in a pentagon shape, with a single tower, others are common to both fortresses. What draws ones attention here are the war platforms on the northern and southern sides. Here were found also traces of small rooms, used to shelter the defenders of the fortress and warehouses for grain and water, walls constructed of stone and connected with earth, stone, etc. On the lower terraces are four sanctuaries, consisting of alignments of tambours. The two fortresses are remarkable by the originality of the building, strategic position and the technique of building.
Here is also another building, unique in the Dacian world and built, most likely, by a Roman craftsman or under its direction. It's a water tank, building erected outside the fortification on one of the western terraces, below the second fortress, as the water source is at a lower level. It has a height of 4 meters and 6.2 m on 8 m inside, with 2 m thick walls. The walls were covered with an impermeable layer consisting of lime, sand and brick crushing, a typical Roman construction. The mortar does not contain Calcium, still has bactericide properties.
General layout:
A. Fortress-1;
B. Fortress-2;
1. Access gate;
2. Observation towers;
3. Residence tower;
4. Water tank.
Systematic archaeological researches started in 1953 after a few random explorations in 1925 on the Muchia Chistoarelor and in 1944 on one of the Făeragului terraces. The upper plateau with the fortification was studied from 1953 until 1959. The 2003 campaign was focused on the research of a tower identified along the road leading from Valea Făeragului towards Luncani, at "La Vămi". The length of the tower is 11.90 m at the exterior and 6.80 m in the interior, the width of the wall is 2.60 m, being built in the technique called "murus dacicus". This tower is one of the many towers placed on the terraces of the Blidaru hill, in the Făeragu-Târşa Luncani area, with a view towards Orăştie and Grădiştea valley. The archaeological material consists of fragmentary gutter and roof tiles.
Ideea and photos from Jurnal Românesc.
Emil Loteanu
Emil Loteanu (November 6, 1936 – April 18, 2003) was a renowned film director, film writer and writer (poetry and short stories) from Moldova.
Loteanu was born in Clocuşna, Hotin County, Kingdom of Romania (now Ocniţa district, Moldova Republic). After the annexation of Bessarabia by the USSR in 1944, Emil remained in Rădăuţi, together with his father. He studied at St. Sava College in Bucharest and after the death of his father in 1949 he illegally went in Moldova, but he was caught and handed over to Romanian border guards, who sent him to Bucharest, where his mother worked at the Soviet Embassy. In 1952 he asked to be repatriated and lived his early life on the streets, sleeping in warehouses and hostels. Between 1953-1954 was an actor at the Drama Theater "Pushkin" from Chişinău. He attended acting classes at the School of the Theater Academy of Art (MHAT) in Moscow (1954-1956) and directing at the Union Institute of Cinematography (VGIK) in in Moscow (1956-1962). After graduating, Loteanu was hired in 1962 to Moldova-Film studio, working in the period 1973 to 1983 as director at the Mosfilm Studio in Moscow. In 1968 he joined the CPSU.
He made his directorial debut with Bolshaya gora in 1960, then his debut as a writer of feature films was in 1963, with Aşteptaţi-ne în zori (Expect us at dawn, 1963) at the Moldova Film Studio, and continued to make films there until 1975, when he joined Mosfilm. With films such as Lăutarii (English: The Fiddlers, 1971), Şatra (Russian: Tabor ukhodit v nebo English: Queen of the Gypsies, 1975), Gingaşa şi tandra mea fiară (Russian: Moy laskovyy i nezhnyy zver, English: A Hunting Accident, 1977), and Anna Pavlova (1983) Loteanu began to attract international attention. For his films, he received prizes at film festivals in San Sebastian, Naples, Milan, Belgrade, Minsk, Prague, Paris.
Between 1987-1992 Loteanu was president of the 'Filmmakers Union of Moldova'. He was instrumental in the formation of two promotions for film directors in the 'Upper School of Directing'. He founded the 'Phoenix-M Association of Experimental Creation', the theater and film magazine 'Magic Lantern', and was author of the television show 'Searching for a Star'. Emil Loteanu taught at the 'Art Institute of Chişinău'; among the young actors trained by Emil Loteanu were Svetlana Toma, Grigore Grigoriu, and many other.
He received the titles of 'Honored Master of Art in Moldova' (1969), 'People's Artist of Russian Federation' (1980), 'Honorary member of the International Academy of Film Nike'. He also received the 'State Prize' and the 'Order of the Republic'. In 2001, received the 'Award for Excellence in Art Directing', awarded at the Romanian Athenaeum in Bucharest.
Loteanu was born in Clocuşna, Hotin County, Kingdom of Romania (now Ocniţa district, Moldova Republic). After the annexation of Bessarabia by the USSR in 1944, Emil remained in Rădăuţi, together with his father. He studied at St. Sava College in Bucharest and after the death of his father in 1949 he illegally went in Moldova, but he was caught and handed over to Romanian border guards, who sent him to Bucharest, where his mother worked at the Soviet Embassy. In 1952 he asked to be repatriated and lived his early life on the streets, sleeping in warehouses and hostels. Between 1953-1954 was an actor at the Drama Theater "Pushkin" from Chişinău. He attended acting classes at the School of the Theater Academy of Art (MHAT) in Moscow (1954-1956) and directing at the Union Institute of Cinematography (VGIK) in in Moscow (1956-1962). After graduating, Loteanu was hired in 1962 to Moldova-Film studio, working in the period 1973 to 1983 as director at the Mosfilm Studio in Moscow. In 1968 he joined the CPSU.
He made his directorial debut with Bolshaya gora in 1960, then his debut as a writer of feature films was in 1963, with Aşteptaţi-ne în zori (Expect us at dawn, 1963) at the Moldova Film Studio, and continued to make films there until 1975, when he joined Mosfilm. With films such as Lăutarii (English: The Fiddlers, 1971), Şatra (Russian: Tabor ukhodit v nebo English: Queen of the Gypsies, 1975), Gingaşa şi tandra mea fiară (Russian: Moy laskovyy i nezhnyy zver, English: A Hunting Accident, 1977), and Anna Pavlova (1983) Loteanu began to attract international attention. For his films, he received prizes at film festivals in San Sebastian, Naples, Milan, Belgrade, Minsk, Prague, Paris.
Between 1987-1992 Loteanu was president of the 'Filmmakers Union of Moldova'. He was instrumental in the formation of two promotions for film directors in the 'Upper School of Directing'. He founded the 'Phoenix-M Association of Experimental Creation', the theater and film magazine 'Magic Lantern', and was author of the television show 'Searching for a Star'. Emil Loteanu taught at the 'Art Institute of Chişinău'; among the young actors trained by Emil Loteanu were Svetlana Toma, Grigore Grigoriu, and many other.
He received the titles of 'Honored Master of Art in Moldova' (1969), 'People's Artist of Russian Federation' (1980), 'Honorary member of the International Academy of Film Nike'. He also received the 'State Prize' and the 'Order of the Republic'. In 2001, received the 'Award for Excellence in Art Directing', awarded at the Romanian Athenaeum in Bucharest.
Labels:
A Hunting Accident,
director,
Emil Loteanu,
film,
Lăutarii,
Moldova,
regizor,
Şatra,
writer
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