Showing posts with label writer. Show all posts
Showing posts with label writer. Show all posts

Norman Manea

Norman Manea (born July 19, 1936) is a Romanian writer and author of short fiction, novels, and essays about the Holocaust, daily life in a communist state, and exile. He is a Francis Flournoy Professor of European Culture and writer in residence at Bard College. He currently lives in the United States.


Norman Manea was born in Suceava, Bukovina, Romania, in 1936. As a child he was deported to a Transnistrian concentration camp in the Ukraine with his family and the entire Jewish population of the region. He returned to Romania with surviving members of his family in 1945. Manea graduated with high honor the "Stephen the Great" high school in his home town, then he studied engineering at the Construction Institute in Bucharest and graduated with master’s degree in hydro-technique in 1959, working afterwards in planning, fieldwork and research.

He published his first work of fiction in 1966, in the avant-garde literary magazine "Povestea Vorbii" (The Story of the Word), an avant-garde and influential magazine that appeared in the early years of cultural “liberalization” in communist Romania and was suppressed after six issues. He became a freelance writer in 1974. Until he was forced into exile (1986) he published in Romania ten volumes of short fiction, essays and novels, among them "Anii de ucenicie ai lui August Prostul" (1979; Engl: The Years of Apprenticeship of Augustus the Fool), "Octombrie, ora opt" (1981; Engl: October, Eight O'Clock, 1992) and "Plicul negru" (1986; Engl: The Black Envelope, 1995).


Critics have compared his complex narrative strategies to Kafka, Joyce and Musil. In 1979 he was awarded the Literature Prize of the Bucharest Writers’ Association. Two years later, in an interview with the literary magazine "Familia", he pleaded for a democratic opening up of the country as well for greater integrity of writers, sparking off a hostile official media campaign with anti-Semitic undertones. In 1984 he was awarded the Literature Prize of the Romanian Writers’ Union but was then denied the award under pressure from the state's cultural authorities. His work was an irritant to the authorities because of the implied and overt social-political criticism and he faced a lot of trouble with the censors and the official press. At the same time that sustained efforts were made by the cultural authorities to suppress his work, it had the support and praise of the country’s most important literary critics. "Plicul negru", the last novel published in Romania before he decided to leave the country, provoked a sharp and prolonged conflict with the State's censors, which the author went on to describe in his essay "The Censor's Report" in the volume "Despre clovni: dictatorul si artistul" (1997; Engl: On Clowns: The Dictator and the Artist, 1992).

Even before any of his books came out abroad, in 1983 Heinrich Böll urged for his work to be published in the West. The first publication in Germany, "Roboterbiographie und andere Erzählungen" (Engl: Robot-Biography and Other Stories) appeared in 1987, when Manea was a guest of the DAAD. He then went on to the USA on a Fulbright scholarship and has been living there ever since. After the collapse of the Ceausescu dictatorship, several of his old and new books started to be published in Romania. The publication in the Romanian democratic press of his essays Happy Guilt, appeared in the US (The New Republic, August 1991) on Mircea Eliade and his former fascist connection provoked a big scandal in the entire Romanian press and hysteria in the nationalistic newspapers. Echoes of this scandal can be still be found in some articles of the current Romanian cultural press. Meantime, in the United States and in the European countries, Norman Manea’s writing was received with great acclaim. Over the past two decades he has been proposed as a candidate for the Nobel Prize for Literature by literary and academic personalities and institutions in the United States, Sweden, Romania, Italy and France. Important contemporary writers expressed admiration towards the author’s literary work and his moral stand before after the collapse of communism: the Nobel laureates Heinrich Boll, Gunther Grass, Octavio Paz, Orhan Pamuk, as well as Philip Roth, Claudio Magris, Antonio Tabucchi, E. M. Cioran, Antonio Munoz Molina, Cynthia Ozick, Louis Begley and others.

In his memoir "Întoarcerea huliganului" (2003; Engl: The Hooligan's Return, 2003), for which he was awarded the French Prix Medicis for Foreign Literature 2006, Manea chronicled his visit to his native country in the late nineties, his experience of exile and life under two totalitarian systems, fascist and communist. He has received many honours, among them the MacArthur Fellows Award, The Guggenheim Grant, the Literary Lion Medal of the New York National Library, the National Jewish Book Award and the International Nonino Prize for Literature. In 2005 Manea was Holtzbrinck Fellow at the American Academy in Berlin. Elected member of the Berlin Academy of Art (Germany) 2007 – Finalist, The Latinity Prize by the Association of Latin Countries 2007 – Awarded the Order of Cultural Merit (in rank of Commander) by the President of Romania (Romania) 2008 – Honorary Degree in Literature, University of Bucharest (Romania) 2008. His work has been translated into 15 languages. Norman Manea is a member of the American PEN Center. He teaches European Literature and is Writer in Residence at Bard College, north of New York City. He lives with his wife in Manhattan.

Info from here and here.

Tia Peltz

Tia Peltz (January 30, 1923, Bucharest - March 5, 1999, Bucharest) was a Romanian graphic artist, painter and writer of Jewish origin, a member of Union of Artists of Romania and of Academy of Fine Arts in Rome. She was the daughter of writer and journalist Isaac Peltz.

He studied fine arts at the Institute of Fine Arts "Nicolae Grigorescu" in Bucharest. His artistic work includes paintings, graphics, drawing and book illustration. Prolific artist, Tia Peltz has had numerous solo exhibitions and participation in collective exhibitions both in Romania and abroad (Berlin, Köln). Some of his works are exhibited in museums such as the National Art Museum in Bucharest and the Craiova Art Museum, other works being in private collections.







Images from here, here, here, here.

Oscar Han

Oscar Han (1891, Bucharest - 1976, Bucharest) was a Romanian sculptor and writer. A student of Dimitrie Paciurea at the Academy of Arts in Bucharest, he was a member of the Group of Four together with painters Nicolae Tonitza, Francisc Şirato and Ştefan Dimitrescu. His works were exhibited mainly in Bucharest, but also at Romanian art exhibitions and international exhibitions in other European cities, such as Venice, Anvers, Paris, the Hague, Amsterdam, Barcelona. He wrote a monograph on Paciurea and a large number of chronicles and articles (collected in 1970 in the volume Chisels and Brushes). In carving portraits of personalities, the sculptor was deeply concerned with revealing the physical and moral features of his characters. When realizing monumental works of art his main interest went at once to the gesture rhetoric and the volumes grandeur and to the demanding palpability of the modeled figures. He was Honored Master of Arts.

First Kiss

The Archer

Michael the Brave

Male nude

Male nude

Sabin Bălaşa

Sabin Bălaşa (June 17, 1932, Dobriceni - April 1, 2008, Bucharest) was a contemporary Romanian painter. His works are described by himself as belonging to cosmic Romanticism. He was also an author, writer and director of animated painting films.


In 1956 he graduated the Art Academy in Bucharest and he followed the courses of Art Academies from Siena and Perugia – Italy. He naturally started from the traditions of the Romanian art, which he assimilated in a creative way, and studied with interest and fervor the history and mythology of the Romanian people, pledging himself to conjure up a fascinating universe of great expressive power, conveying to the onlooker an impression or a rare strength.

Universe of love

Among Bălaşa's most notable works are several large-scale fresco paintings, which decorate the inside of the Alexandru Ioan Cuza University of Iaşi. The Hall of the Lost Footfalls was painted over a period of 10 years and consists in 18 great wall paintings. Main themes include youth, the history and poetry of the Romanian people.

The Ball of Phantoms

Whether he painted such heroes of the national pantheon as Decebalus, Stephen the Great, Bălcescu or Eminescu, evoked characters of legend, epic or ballad or creates images living beyond time and space, Sabin Bălaşa constantly remains faithful to the most generous and noble human ideals.

Traveler in Time

He had many personal exhibitions in Warsaw (1955), Moscow (1958), Cairo, Alexandria, Damasc (1960-1961), Youth Biennial in Paris (1961), Pescara – Italy (1965), Roma (1966), Orly (1968), Torino, Roma (1969), Tel-Aviv, Yugoslavia, Bulgary, Japan (1970-1972), Conges sur Mer – France (1973), Cuba (1974), Greece, Russia, Finland (1976), Norway, Sweden, USA (1978) and many others. Some of his works are exhibited in many museums and are part of private collections all over the world.

Vision

Between 1966 and 1976 he created and directed 12 animated painting films. He was a member of the Jury at the international festivals of the animation films - Annecy (France - 1973). He has written novels such "The Blue Desert" (1996), "Exodus Toward The Light" (2002).

The Cavalcade

Wedding Traveling in Space


Images from here. Visit for more!

Ion Creangă Memorial House

Ion Creangă (March 1, 1837 or June 10, 1839 – December 31, 1889) was a Moldavian-born Romanian writer, raconteur and schoolteacher. A main figure in 19th century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics.


Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca (tiny hut) building in Iaşi, which, in April 15, 1918, was opened as the first memorial house in Romania. Restored the same year and again in 1933-1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Muşneţanu.

"Bojdeuca" in Iaşi

Another memorial house dedicated to Ion Creangă is located in Humuleşti, a former village which has since been incorporated into Târgu-Neamţ city, Neamţ County, Moldavia, Romania. The house was built in 1830 by Petrea Ciubotariul, the grandfather of the writer and it was inhabited by the descendants of Ion Creangă until 1959. In 1937 the house was restored by the care of great historian Nicolae Iorga.

The Memorial House in Humuleşti, painting by Aurel Băeşu

In 1944, Sofia Grigoriu (born Creangă) donate the house to the Association of Romanian Teachers. The house became a museum by a decree of 1959, but the memorial house was opened to the public in 1960. The building was donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania.





The museum represents, beyond its historical, literary, and sentimental significance, a specific item of folk architecture of the period and ethno-cultural area. Under the broad shingle roof, the walls built in heavy beams covered with a clay layer, establishes a single room with narrow windows and a lobby where you could just spin. The low entry is sheltered from rain by a narrow porch, and behind the house a wooden roof with one slope protect some household items and agricultural tools with a certain ethnographic value.





Exhibits presented are characterized by simplicity, common sense and modesty specific to the Moldavian peasant, generating a strong sense of piety, not only for what they represent to the memory of Ion Creangă, but because they are genuine testimonials of people and popular tradition of region.



Ion Creangă Memorial House on Google Maps

Panoramas by Michael Pop, from 360cities.net.

Geta Brătescu

Geta Brătescu (b. 1926, Ploieşti) - is a visual artist from Romania, leading figure of contemporary arts. His work includes graphic art, drawing, collage, photography, video and book illustration.


Geta Brătescu studied at the Faculty of Letters, University of Bucharest between 1945-1949, with George Călinescu and Tudor Vianu, and at the Institute of Arts "Nicolae Grigorescu" Bucharest between 1969-1971. She started art studies in 1945 at the Academy of Fine Arts under the guidance of master Camil Ressu, but she was forced to discontinue because of communist censorship.


Distinct presence in the Romanian contemporary art, complete artist who chooses as a means of expression such as traditional media and new, Geta Brătescu done graphics work, engraving, drawing and fabric collage, tapestry, object, action photography, video. She exposed his works in collective or personal exhibitions in famous art galleries around the world (in Bucharest, Rome, Hamburg, Vienna, Liverpool, Missouri, Lausanne, Belgrade, Sao Paolo, Fredrikstad, Dessau, Bonn, Ljubljana, Graz). Geta Brătescu received many national and international awards, and in 2008 she received the title of Doctor Honoris Causa of the National University of Arts in Bucharest, given for outstanding contribution to the development of contemporary Romanian art. Also, Geta Brătescu is artistic director of literature and art magazine "20/21 Century".


Geta Brătescu is caught in a contradictory move, developing artificiality and at the same time acknowledging its inevitability. Revealing for that are the objects with her face like a mask, increasing or decreasing the presence of artifice. High examples of his image features are combined with materials of everyday life, building composite objects that are assembled in collages often with humor, seeking the participation of the viewer. She goes from serious to humorous, off-hand the serious fantasy and whimsy, the conceptual rigor to the unstoppable inventiveness.


Geta Brătescu is regarded as one of the most remarkable personalities of Romanian post-war avantgarde art. With a background in literature and philosophy studies, pursued in parallel with those in art, Geta Brătescu’s artistic practice began in the heterogeneous and provocative intellectual environment of the 1940s and 1950s and has passed through the political upheaval of Socialism in Romania and its successive collapse at the end of the year 1989. The fact that the artist has experienced these social and cultural turns is an essential factor in understanding her recurrent appeal to particular forms of artistic expression.

Photos from Ivan Gallery

Emil Loteanu

Emil Loteanu (November 6, 1936 – April 18, 2003) was a renowned film director, film writer and writer (poetry and short stories) from Moldova.


Loteanu was born in Clocuşna, Hotin County, Kingdom of Romania (now Ocniţa district, Moldova Republic). After the annexation of Bessarabia by the USSR in 1944, Emil remained in Rădăuţi, together with his father. He studied at St. Sava College in Bucharest and after the death of his father in 1949 he illegally went in Moldova, but he was caught and handed over to Romanian border guards, who sent him to Bucharest, where his mother worked at the Soviet Embassy. In 1952 he asked to be repatriated and lived his early life on the streets, sleeping in warehouses and hostels. Between 1953-1954 was an actor at the Drama Theater "Pushkin" from Chişinău. He attended acting classes at the School of the Theater Academy of Art (MHAT) in Moscow (1954-1956) and directing at the Union Institute of Cinematography (VGIK) in in Moscow (1956-1962). After graduating, Loteanu was hired in 1962 to Moldova-Film studio, working in the period 1973 to 1983 as director at the Mosfilm Studio in Moscow. In 1968 he joined the CPSU.


He made his directorial debut with Bolshaya gora in 1960, then his debut as a writer of feature films was in 1963, with Aşteptaţi-ne în zori (Expect us at dawn, 1963) at the Moldova Film Studio, and continued to make films there until 1975, when he joined Mosfilm. With films such as Lăutarii (English: The Fiddlers, 1971), Şatra (Russian: Tabor ukhodit v nebo English: Queen of the Gypsies, 1975), Gingaşa şi tandra mea fiară (Russian: Moy laskovyy i nezhnyy zver, English: A Hunting Accident, 1977), and Anna Pavlova (1983) Loteanu began to attract international attention. For his films, he received prizes at film festivals in San Sebastian, Naples, Milan, Belgrade, Minsk, Prague, Paris.


Between 1987-1992 Loteanu was president of the 'Filmmakers Union of Moldova'. He was instrumental in the formation of two promotions for film directors in the 'Upper School of Directing'. He founded the 'Phoenix-M Association of Experimental Creation', the theater and film magazine 'Magic Lantern', and was author of the television show 'Searching for a Star'. Emil Loteanu taught at the 'Art Institute of Chişinău'; among the young actors trained by Emil Loteanu were Svetlana Toma, Grigore Grigoriu, and many other.


He received the titles of 'Honored Master of Art in Moldova' (1969), 'People's Artist of Russian Federation' (1980), 'Honorary member of the International Academy of Film Nike'. He also received the 'State Prize' and the 'Order of the Republic'. In 2001, received the 'Award for Excellence in Art Directing', awarded at the Romanian Athenaeum in Bucharest.

Paul Goma

Paul Goma (born October 2, 1935) is a Romanian writer, also known for his activities as a dissident and leading opponent of the communist regime before 1989. Forced into exile by the communist authorities, he currently resides in France as a stateless political refugee. After 2000, Goma has raised much controversy for the opinions he expressed on World War II and the Holocaust in Romania, claims which have led to widespread criticism on grounds of antisemitism.


Goma was born to a Romanian family in Mana village, Orhei County, which at that time was a part of the Kingdom of Romania, nowadays part of Republic of Moldova. His parents were school teachers. After the 1940 Soviet occupation of Bessarabia, Paul Goma's father was taken away by the Soviet authorities and deported to Siberia. In October 1943, he was found by his family, as a prisoner of war, in "Camp No. 1 for Soviet Prisoners", in Slobozia, Ialomiţa County, Romania. In March 1944, the Goma family took refuge in Sibiu, Transylvania. In August 1944, finding themselves in danger of involuntary "repatriation" to the Soviet Union, they fled to the village of Buia, by the Târnava Mare River. From October to December 1944, the Goma family hid in the forests around Buia. On January 13, 1945 they were captured by Romanian shepherds and turned over to the Gendarmerie in Sighişoara, where they were interned at the "Centrul de Repatriere" ("Repatriation Center"). There, Eufimie Goma managed to forge documents for his family; however, Maria Goma's brother, who didn't have forged papers, was promptly "repatriated" to Siberia. In June 1945, taking advantage of the forged documents, they returned to Buia. Later on, Paul Goma would describe his family's refugee saga in the novels Arta refugii ("The Art of Refuge", a wordplay on the Romanian words for "refuge" and "taking flight"), Soldatul câinelui (Dog's Soldier), and Gardă inversă (Reverse Guard).

In May 1952, Goma, while a student in 10th grade, was detained for eight days by the Securitate for speaking out in the classroom about Romanian anti-communist partisans and for keeping a coded personal journal. In September-October of the same year he was barred from all the schools in Romania. After some unsuccessful attempts at re-admission he was finally allowed to attend Negru Vodă high school in Făgăraş. In 1954 he was admitted to the Faculty of Letters of the University of Bucharest. In November 1956, he was one of the organizers of the Bucharest student movement, in support of the Hungarian Revolution. As a result, he was arrested by the Communist authorities, incarcerated for two years in Jilava and Gherla prisons, and then put under house arrest in a village in the Bărăgan Plain until 1963. In September 1965, he was re-admitted as a first-year student at the Faculty of Letters of the University of Bucharest. In the fall of 1967, under pressure from the Securitate, he was forced to give up his studies at the University.

At the end of August 1968, Paul Goma became a member of the Romanian Communist Party, in an act of solidarity with the Romanian position during the Warsaw Pact Invasion of Czechoslovakia (Romania did not take part, indeed condemning the invasion). In 1971 it was proposed that Paul Goma be excluded from the Communist Party because he published his novel "Ostinato" in West Germany after the Communist censors refused to allow him to publish the book in Romania. Paul Goma refused to give up his Party membership by his own will. In 1977, Paul Goma's public letter calling for respect for human rights in Romania and for Romanians to sign Charter 77 was read on Radio Free Europe. As a result, he was excluded from the Writers' Union of Romania and was repeatedly followed, arrested, and tortured by the Securitate. On November 20, 1977, Paul Goma and his family left Romania and went into exile in France.


In 1979, Paul Goma was active in the creation of the Free Workers' Syndicate. On 3 February 1981, Paul Goma and Nicolae Penescu (former Interior Minister) received parcels in their post. Penescu opened his parcel to find a book and when he lifted its cover an explosion wounded him. Goma, who had received two death threats since his arrival in France, called the police. Both packages had been sent on instructions by Carlos the Jackal. In 1982, the Securitate planned to assassinate Goma. Matei Haiducu, the secret agent sent by the Securitate to carry out the plan, turned to French counter-intelligence (DST). With the help of the DST, Haiducu simulated an attempt on Goma's life, by poisoning his drink at a restaurant; the drink was then spilled by a French agent, pretending to be a "clumsy guest".

Although Goma's numerous works (both fiction and non-fiction) were translated worldwide, his books, except the first one, were published in Romania only after the 1989 Revolution. He now lives in Paris as a stateless political refugee, his Romanian citizenship having been revoked after 1978 by the communist government. He turned down an offer of citizenship from the French Republic, extended simultaneously to him and to the Czech writer Milan Kundera. In September 2006, a petition in favor of restoring his Romanian citizenship did not result in any progress on the issue.

Goma's literary debut came in 1966 with a short story published in the review Luceafǎrul with which he collaborated as well as with Gazeta literarǎ, Viaţa românească and Ateneu. In 1968 he published his first volume of stories, Camera de alături (The Room Next Door). After Ostinato and its West German publication in 1971 came Uşa ("Die Tür" or "The Door") in 1972, also in Germany. After his forced emigration in 1977 and until his books could again be published in Romania after the 1989 revolution, all his books appeared in France and in French. (His novel Gherla had in fact been published in 1976 first in French by Gallimard of Paris before he left Romania.) There followed such novels as Dans le cercle (Within the Circle, 1977); Garde inverse (Reverse Guard, 1979); Le Tremblement des Hommes (The Trembling of People, 1979); Chassée-croisé (Intersection, 1983); Les Chiens de la mort (The Dogs of Death, 1981), which details his prison experiences in Piteşti in the 1950s; and Bonifacia (1986). The autobiographical Le Calidor appeared in French in 1987 and was subsequently published in Romanian as Din Calidor: O copilărie basarabeană (In Calidor: A Bessarabian Childhood, 1989, 1990; translated as My Childhood at the Gate of Unrest) in the Romanian émigré journal Dialog.

In its totality, Goma's literary work comprises a "persuasive and grimly fascinating exposure of totalitarian inhumanity" from which, in his own case, even foreign exile was no guarantee of safe haven. (From Wikipedia)

Monica Lovinescu

Monica Lovinescu (November 19, 1923, Bucharest – April 20, 2008, Paris) was a Romanian essayist, short story writer, literary critic, translator, and journalist, noted for her activities as an opponent of the Romanian Communist regime.


Daughter of literary figure Eugen Lovinescu, Monica was born in Bucharest. Having graduated from the University of Bucharest, she obtained in 1947 a scholarship from the French Government. Only a few months later, after Romania was declared a Popular Republic, Monica Lovinescu asked for political asylum and settled in Paris. A close friend of Ionesco, Cioran and Mircea Eliade who come alive in her memoirs published in Bucharest. Throughout her life Lovinescu was active as a journalist and broadcaster, waging an unequal war against the Communist oppression in Romania and elsewhere.

From 1951 to 1975, she is the Romanian correspondent of the French Overseas broadcasting in Romanian language on Literature and Music. From 1967 she presents at Radio Free Europe the cycle “Teze şi antiteze la Paris” and the “Actualitatea culturală românească”, which enjoy a huge audience in Romania. These attract the attention of Romania’s secret services as a result of which Monica Lovinescu becomes the target of the Securitate operatives in Paris, is roughed up on the doorstep of her flat and receives threats and hate calls. This leaves Monica Lovinescu shaken but even more determined in waging her crusade with the pen and the microphone against the indomitable Ceauşescu, for a long time the “darling of the West”.


She published several works under the pseudonyms Monique Saint-Come and Claude Pascal, and was married to the literary critic Virgil Ierunca. She published extensively on the subject of communism in her country, as well as works on Romanian literature. Her articles were frequently featured in prestigious magazines such as Kontinent, Les Cahiers de l'Est, and L'Alternative. She contributed the Romanian chapter of the collection of essays titled Histoire des spectacles (published by Éditions Gallimard). In recognition of her life-long contribution to the Romanian political and Cultural Life, Monica Lovinescu was honored by the Romanian Presidency with the Order of the Grand Cross of Romania.

Petru Popescu

Petru Popescu (born. February 1, 1944 in Bucharest, Romania) is a Romanian writer, director and movie producer, author of best-selling novels "Almost Adam" and "Amazon Beaming".


Born in family of intellectuals, he was traumatized by premature death of his twin brother and the divorce of his parents. He studied Germanic languages at Bucharest University, graduating in 1967. His made his debut with a poetry book, "Zeu printre blocuri" (A God Between Apartment Buildings), then wrote in 1969 "Prins" (Caught), a novel of grand success, which launched him as a reference writer in Romanian literature. He is known for his romance with Zoe Ceauşescu, daughter of Romanian dictator Nicolae Ceauşescu, but claims are said to be exaggerated by media and Securitate (the Secret Police).

Petru Popescu obtained a scholarship in Vienna (1971-1972), and in 1974 accepted an invitation from the University of Iowa to participate at International Writing Program seminary. At that point, he decided to leave Romania and establish residence in the United States. From then on, he steadily followed a successful path as a novelist and author of several Hollywood movie scripts. After the fall of the Iron Curtain, he returned often to Romania as of 1992, where most of his works have been translated from English and published.

Dan Perjovschi

Perjovschi is an artist, writer and cartoonist born in 1961 in Sibiu, Romania.


He lives and works in Bucharest and has transformed the medium of drawing, using it to create an object, a performance, and an installation. In the last decade, Perjovschi has made his drawings spontaneously in museum spaces, allowing global and local affairs to inform the final result.


Educated in the Romanian socialism system, Dan Perjovschi create work that resides at the nexus of art, society and politics; he belong to the first avantgarde movement following the 1989 Romania Revolution. Dan is internationally renowned for large and small scale drawing installations of hundreds of cartoon-like figures that comment on local, national and international cultural and current affairs. He is also the foremost political cartoon satirist in Romania.


For about 10 years Dan Perjovschi has been jumping from one wall to another (some time falling on the floor or floating from the ceiling) story-telling the world around us. As he says, if he draws it, he understands it.


His style is anarchic with no apparent structure. A sort of visual jazz. From international world-affecting decision to the taste of the morning coffee, the distance is measured in centimeters. Drawing after drawing, Perjovschi is knitting the big narrative of the contemporary world. With humor, irony and empathy, needing no one and obeying no rules. Free style.


Dan Perjovschi worked / exposed at Museum of Modern Art New York, Nasher Museum of Art at Duke University, Castello di Rivoli in Turin, Galerie Michel Rein Paris, KIASMA Helsinki, Ludwig Forum Aachen, Wiels Center for Contemporary Art Brussel, Basel Kunsthalle, Tate Modern London, Vanabbe Museum Eindhoven, Ludwig Museum Koln, Venice Biennial, Lyon Biennial, Moskow Biennial, Sydney Biennial, and many others exhibits, events, museums...


For more infos, visit Dan Perjovschi's site!

Valeriu Lazarov

Valeriu Lazarov (also known as Valerio Lazarov; December 20, 1935, Bârlad, Romania - August 11, 2009, Madrid, Spain), was a well-known TV producer, director, writer, actor.


He made his debut at the Romanian public television, then went to Spain, where he received Spanish citizenship in 1972. In 1979, Lazarov reached the Italian national TV channel, RAI, to produce a series of shows, called "Tilt". Shortly after, he started working for Silvio Berlusconi at Canale 5, where he became production director, president of the administration board and director of the production center Videotime. In 1985 he got back to Spain, where he worked as producer at the Spanish National Television, as well as general manager and delegate adviser to TV station Telcinco, till 1994, when he was replaced by Maurizio Carlotti. In 1995 he set up his own production company, Prime Time Communications.


Lazarov revolutionized TV entertainment shows in Romania at the end of the 1990s, producing successful shows, such as "Surprises, surprises", "Out of Love" or "The Star Rain" and many soap operas. Lazarov is called by the international press "one of the most respected TV professionals and part of the vanguard of his times". Highly respected in Romania and Spain, Lazarov was nicknamed “Mister Zoom” for the way he maneuvered TV cameras.

Palme d'Or / Cristian Nemescu

Cristian Nemescu (March 31, 1979, Bucharest - August 24, 2006, Bucharest), Romanian director, writer and producer.


He graduated the Academy of Theater and Cinema in Bucharest in 2003. His graduation film was a short story entitled Poveste de la scara C (C Block Story), which has won the NYU International Student Film Festival and the Premiers Plans in Angers, France. The European Academy Awards nominated as "best short film" of that year. Nemescu won over 20 awards, including Grand Prize at the NYU International Student Film Festival in New York, Special Jury Prize at the Brussels Short Film Festival in Belgium, Public's Choice at Milan Film Festival in Italy, Public Prize at the International Festival Grenzland Filmtage Germany.

The director died in a car crash along with his sound engineer Andrei Toncu. His last movie California Dreamin' (Nesfârşit) (2007), starring Armand Assante, was in post-production, when the accident happened. It was later awarded the Un Certain Regard Awards at the 2007 Cannes Film Festival.

On 28 May 2007, the president of Romania granted post mortem by a decree, the National Order "For Merit" in rank of Knight, for "outstanding contribution to the promotion of Romanian cinema".

Palme d'Or / Ion Popescu-Gopo

Ion Popescu-Gopo (May 1, 1923, Bucharest – November 28, 1989, Bucharest), Romanian graphic artist, animator, writer, movie director and actor, prominent personality in the Romanian cinematography and the founder of the modern Romanian cartoon school.


His career started as a designer and cartoonist in 1939, publishing caricatures and editorial cartoons in newspapers. 1949 brought his debut in the film industry with "Punguţa cu doi bani" (Bag with two coins). Since 1950 he started working for Cinematographic Studio Bucharest in the animation department, that later broke into a separate animation studio, Animafilm. His most known cartoon character is a little black and white man sometimes referred to as "Gopo's Little Man" after his creator. Later in his life Popescu-Gopo confessed that he tried to start an "anti-Disney rebellion". Unable to surpass Disney's animation characters in color and beauty, Popescu-Gopo tried to be more profound in message and substance and simplify the form and techniques used. Unlike Disney's cartoon characters, Popescu-Gopo's cartoon characters were black and white, designed in simple lines.



His film "Scurtă Istorie" (A Brief History) won the Short Film Palme d'Or for best short film at Cannes Festival in 1957. The worldwide success achieved by A Brief History turned The Little Man into an iconic character, symbolizing the human race in its quest for knowledge and beauty. Ion Popescu-Gopo was to use it in another seven films. In many situations, The Little Man is shown holding a flower to his heart, which is taken to symbolize the humans' capacity and need for love.



The Gopo Awards are the national Romanian film awards. They are presented by the Association for Romanian Film Promotion and were established in 2007, celebrating the 50th anniversary of Gopo's Palme d'Or. The trophy is a sculpture by Romanian artist Adrian Ilfoveanu representing Gopo's Little Man.

Virgil Gheorghiu

Constantin Virgil Gheorghiu (September 15, 1916, Valea Albă, Romania – June 22, 1992, Paris, France), Romanian writer, best known for his 1949 novel, The 25th Hour.


Virgil Gheorghiu was born in Valea Albă, a village in Războieni Commune, Neamţ County, in Moldavia. His father was an Orthodox priest in Petricani. Having been admitted with top marks, he attended high school in Chişinău from 1928 to June 1936, after which he studied philosophy and theology at the University of Bucharest and Heidelberg University.

During the regime of General Ion Antonescu, he was a diplomat between 1942 and 1943, working as a legation secretary in the Ministry of Foreign Affairs of Romania. He went into voluntary exile when Soviet troops entered Romania in 1944. He was arrested at the end of World War II by American troops. After the war, he settled in France in 1948. A year later, he published the novel Ora 25 (French: La vingt-cinquième heure, English: The twenty-fifth hour), written during his captivity.


The Romanian Secret Services, used the French communist agents to discredit Gheorghiu through a left-wing media campaign of smear. This was a well-rehearsed and effective weapon against Romanian anti-communist exiles. In 1952, a scandal erupted in Paris: it was discovered that before leaving Romania, Gheorghiu had written a book (Ard malurile Nistrului, 1941), heretofore unpublished in French, that scorned "the malicious Jew" and praised Hitler's troops. The philosopher Gabriel Marcel, who had written the preface for The 25th Hour, asked that his preface be omitted from future editions. Gheorghiu never clearly disavowed his anti-Semitic writings, but in his 1986 memoirs, he did write: "I am ashamed of myself. Ashamed because I am Romanian, like the criminals of the Iron Guard".

He continued to write, publishing over 25 books, including "Christ in Lebanon" in 1979 and "God in Paris" the next year. His last work, in 1987, was about South Korea. Gheorghiu was ordained a priest of the Romanian Orthodox Church in Paris on May 23, 1963. In 1966, Patriarch Justinian awarded him the Cross of the Romanian Patriarchate for his liturgical and literary activities. He is buried in Passy Cemetery, in Paris.


Gheorghiu's best-known book depicts the plight of a naive young farmhand, Johann Moritz, under German, Soviet and American occupation of Central Europe. Johann is sent to a labor camp by a police captain who covets his wife, Suzanna. At first, he is tagged as a Jew. Later, he is "rescued" by a Nazi officer who determines he is a perfect Aryan specimen, and forces him into service in the SS as a model for German propaganda. Imprisoned after the war, he is severely beaten by his Russian captors, then put on trial by Allied forces because of his work for the Nazis. Traian, son of the priest Koruga, is a famous novelist and minor diplomat whose first internment comes when he is picked up as an enemy alien by the Yugoslavs. Once imprisoned, the two heroes begin an odyssey of torture and despair. In the end, Traian dies in a concentration camp, while Johann is forced by the Americans to enlist in the army, just as World War III is about to start, or to be interned in a camp (as well as his family) as a citizen from an enemy country.

In 1967, Carlo Ponti produced a film based on Gheorghiu's book. The movie was directed by Henri Verneuil, with Anthony Quinn as Johann, Virna Lisi as Suzanna, and Serge Reggiani as Traian.

Panait Istrati

Panait Istrati, born Gherasim Istrate (August 10, 1884 — April 18, 1935) Romanian writer of French and Romanian expression, nicknamed The Maxim Gorky of the Balkans.


Born in Brăila, Istrati was the son of the laundress Joiţa Istrate and of a Greek smuggler (Gheorghios Valsamis - Panait never met him). He studied in primary school for six years in Baldovineşti, after being held back twice. He then earned his living as an apprentice to a tavern-keeper, then as a pastry cook and peddler. In the meantime, he was a prolific reader. His first attempts at writing date from around 1907, when he started sending pieces to the socialist periodicals in Romania - debuting with the article Hotel Regina in România Muncitoare. Here, he later published his very first short stories - Mântuitorul (The Redeemer), Calul lui Bălan (Bălan's Horse), Familia noastră (Our Family), 1 Mai (May Day). He also contributed pieces to other leftist newspapers such as Dimineaţa (The Morning), Adevărul (The Truth), and Viaţa Socială (Social Life).


In 1910, he was involved in organizing a strike action in Brăila. He went to Bucharest, Istanbul, Cairo, Naples, Paris (1913-1914), and Switzerland (were he settled for a while, trying to cure his tuberculosis); Istrati's travels were marked by two successive unhappy marriages, a brief return to Romania in 1915, when he tried to earn his living as a hog farmer, and long periods of vagabondage. While in the sanatorium, Istrati met Russian Jewish-Swiss Zionist writer Josué Jéhouda, who became his friend and French language tutor. Living in misery, ill and depressed, he attempted suicide in 1921 on his way to Nice, but his life was rescued in time. Shortly before the attempt, he had written to the French writer he admired most, Romain Rolland, with whom he had tried to get in touch for long. Rolland received the letter through the Police, and immediately replied to this letter. In 1923 Istrati's story Kyra Kyralina (or Chira Chiralina) was published (with a preface by Rolland). It became the first in his Adrien Zograffi literary cycle. Rolland was fascinated with Istrati's adventurous life, urging him to write more, and publishing part of his works in the magazine he and Henri Barbusse owned, Clarté. The next major work by Istrati was his Codine novel.


Istrati shared the leftist ideals of Rolland, and, as much as his mentor, placed his hopes in the Bolshevik vision. In 1927 he visited the Soviet Union on the anniversary of the October Revolution. He was joined in Moscow by his future close friend, Nikos Kazantzakis. In 1928-29, after a tumultuous stay in Greece (were he was engaged in fights with the police and invited to leave the country), he went again to the Soviet Union. Through extended visits in more remote places, Istrati learned the full truth of Joseph Stalin's communist dictatorship, out of which experience he wrote his famous book, The Confession of a Loser, the first in the succession of disenchantments expressed by intellectuals such as Arthur Koestler, André Gide and George Orwell. Istrati came back to Romania ill and demoralized, was treated for tuberculosis in Nice, then returned to Bucharest. In fact, the political opinions Istrati expressed after his split with Bolshevism are rather ambiguous. He was still closely watched by the Romanian secret police (Siguranţa Statului), and he had written an article (dated April 8, 1933) in the French magazine Les Nouvelles Littéraires, aptly titled L'homme qui n'adhère à rien (The man who will adhere to nothing).

Isolated and unprotected, Panait Istrati died at Filaret Sanatorium in Bucharest. He was buried in Bellu Cemetery. Among his major novels are Nerantsoula, The Thistles of the Bărăgan, To the Other Flame, Adrien Zograffi's Accounts (5 novels), Adrien Zograffi's Childhood (4 novels), Adrien Zograffi's Life (4 novels); his works were translated in over 30 languages