Norman Manea (born July 19, 1936) is a Romanian writer and author of short fiction, novels, and essays about the Holocaust, daily life in a communist state, and exile. He is a Francis Flournoy Professor of European Culture and writer in residence at Bard College. He currently lives in the United States.
Norman Manea was born in Suceava, Bukovina, Romania, in 1936. As a child he was deported to a Transnistrian concentration camp in the Ukraine with his family and the entire Jewish population of the region. He returned to Romania with surviving members of his family in 1945. Manea graduated with high honor the "Stephen the Great" high school in his home town, then he studied engineering at the Construction Institute in Bucharest and graduated with master’s degree in hydro-technique in 1959, working afterwards in planning, fieldwork and research.
He published his first work of fiction in 1966, in the avant-garde literary magazine "Povestea Vorbii" (The Story of the Word), an avant-garde and influential magazine that appeared in the early years of cultural “liberalization” in communist Romania and was suppressed after six issues. He became a freelance writer in 1974. Until he was forced into exile (1986) he published in Romania ten volumes of short fiction, essays and novels, among them "Anii de ucenicie ai lui August Prostul" (1979; Engl: The Years of Apprenticeship of Augustus the Fool), "Octombrie, ora opt" (1981; Engl: October, Eight O'Clock, 1992) and "Plicul negru" (1986; Engl: The Black Envelope, 1995).
Critics have compared his complex narrative strategies to Kafka, Joyce and Musil. In 1979 he was awarded the Literature Prize of the Bucharest Writers’ Association. Two years later, in an interview with the literary magazine "Familia", he pleaded for a democratic opening up of the country as well for greater integrity of writers, sparking off a hostile official media campaign with anti-Semitic undertones. In 1984 he was awarded the Literature Prize of the Romanian Writers’ Union but was then denied the award under pressure from the state's cultural authorities. His work was an irritant to the authorities because of the implied and overt social-political criticism and he faced a lot of trouble with the censors and the official press. At the same time that sustained efforts were made by the cultural authorities to suppress his work, it had the support and praise of the country’s most important literary critics. "Plicul negru", the last novel published in Romania before he decided to leave the country, provoked a sharp and prolonged conflict with the State's censors, which the author went on to describe in his essay "The Censor's Report" in the volume "Despre clovni: dictatorul si artistul" (1997; Engl: On Clowns: The Dictator and the Artist, 1992).
Even before any of his books came out abroad, in 1983 Heinrich Böll urged for his work to be published in the West. The first publication in Germany, "Roboterbiographie und andere Erzählungen" (Engl: Robot-Biography and Other Stories) appeared in 1987, when Manea was a guest of the DAAD. He then went on to the USA on a Fulbright scholarship and has been living there ever since. After the collapse of the Ceausescu dictatorship, several of his old and new books started to be published in Romania. The publication in the Romanian democratic press of his essays Happy Guilt, appeared in the US (The New Republic, August 1991) on Mircea Eliade and his former fascist connection provoked a big scandal in the entire Romanian press and hysteria in the nationalistic newspapers. Echoes of this scandal can be still be found in some articles of the current Romanian cultural press. Meantime, in the United States and in the European countries, Norman Manea’s writing was received with great acclaim. Over the past two decades he has been proposed as a candidate for the Nobel Prize for Literature by literary and academic personalities and institutions in the United States, Sweden, Romania, Italy and France. Important contemporary writers expressed admiration towards the author’s literary work and his moral stand before after the collapse of communism: the Nobel laureates Heinrich Boll, Gunther Grass, Octavio Paz, Orhan Pamuk, as well as Philip Roth, Claudio Magris, Antonio Tabucchi, E. M. Cioran, Antonio Munoz Molina, Cynthia Ozick, Louis Begley and others.
In his memoir "Întoarcerea huliganului" (2003; Engl: The Hooligan's Return, 2003), for which he was awarded the French Prix Medicis for Foreign Literature 2006, Manea chronicled his visit to his native country in the late nineties, his experience of exile and life under two totalitarian systems, fascist and communist. He has received many honours, among them the MacArthur Fellows Award, The Guggenheim Grant, the Literary Lion Medal of the New York National Library, the National Jewish Book Award and the International Nonino Prize for Literature. In 2005 Manea was Holtzbrinck Fellow at the American Academy in Berlin. Elected member of the Berlin Academy of Art (Germany) 2007 – Finalist, The Latinity Prize by the Association of Latin Countries 2007 – Awarded the Order of Cultural Merit (in rank of Commander) by the President of Romania (Romania) 2008 – Honorary Degree in Literature, University of Bucharest (Romania) 2008. His work has been translated into 15 languages. Norman Manea is a member of the American PEN Center. He teaches European Literature and is Writer in Residence at Bard College, north of New York City. He lives with his wife in Manhattan.
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Showing posts with label author. Show all posts
Showing posts with label author. Show all posts
Sabin Bălaşa
Sabin Bălaşa (June 17, 1932, Dobriceni - April 1, 2008, Bucharest) was a contemporary Romanian painter. His works are described by himself as belonging to cosmic Romanticism. He was also an author, writer and director of animated painting films.
In 1956 he graduated the Art Academy in Bucharest and he followed the courses of Art Academies from Siena and Perugia – Italy. He naturally started from the traditions of the Romanian art, which he assimilated in a creative way, and studied with interest and fervor the history and mythology of the Romanian people, pledging himself to conjure up a fascinating universe of great expressive power, conveying to the onlooker an impression or a rare strength.
Among Bălaşa's most notable works are several large-scale fresco paintings, which decorate the inside of the Alexandru Ioan Cuza University of Iaşi. The Hall of the Lost Footfalls was painted over a period of 10 years and consists in 18 great wall paintings. Main themes include youth, the history and poetry of the Romanian people.
Whether he painted such heroes of the national pantheon as Decebalus, Stephen the Great, Bălcescu or Eminescu, evoked characters of legend, epic or ballad or creates images living beyond time and space, Sabin Bălaşa constantly remains faithful to the most generous and noble human ideals.
He had many personal exhibitions in Warsaw (1955), Moscow (1958), Cairo, Alexandria, Damasc (1960-1961), Youth Biennial in Paris (1961), Pescara – Italy (1965), Roma (1966), Orly (1968), Torino, Roma (1969), Tel-Aviv, Yugoslavia, Bulgary, Japan (1970-1972), Conges sur Mer – France (1973), Cuba (1974), Greece, Russia, Finland (1976), Norway, Sweden, USA (1978) and many others. Some of his works are exhibited in many museums and are part of private collections all over the world.
Between 1966 and 1976 he created and directed 12 animated painting films. He was a member of the Jury at the international festivals of the animation films - Annecy (France - 1973). He has written novels such "The Blue Desert" (1996), "Exodus Toward The Light" (2002).
Images from here. Visit for more!
In 1956 he graduated the Art Academy in Bucharest and he followed the courses of Art Academies from Siena and Perugia – Italy. He naturally started from the traditions of the Romanian art, which he assimilated in a creative way, and studied with interest and fervor the history and mythology of the Romanian people, pledging himself to conjure up a fascinating universe of great expressive power, conveying to the onlooker an impression or a rare strength.
Universe of love
Among Bălaşa's most notable works are several large-scale fresco paintings, which decorate the inside of the Alexandru Ioan Cuza University of Iaşi. The Hall of the Lost Footfalls was painted over a period of 10 years and consists in 18 great wall paintings. Main themes include youth, the history and poetry of the Romanian people.
The Ball of Phantoms
Whether he painted such heroes of the national pantheon as Decebalus, Stephen the Great, Bălcescu or Eminescu, evoked characters of legend, epic or ballad or creates images living beyond time and space, Sabin Bălaşa constantly remains faithful to the most generous and noble human ideals.
Traveler in Time
He had many personal exhibitions in Warsaw (1955), Moscow (1958), Cairo, Alexandria, Damasc (1960-1961), Youth Biennial in Paris (1961), Pescara – Italy (1965), Roma (1966), Orly (1968), Torino, Roma (1969), Tel-Aviv, Yugoslavia, Bulgary, Japan (1970-1972), Conges sur Mer – France (1973), Cuba (1974), Greece, Russia, Finland (1976), Norway, Sweden, USA (1978) and many others. Some of his works are exhibited in many museums and are part of private collections all over the world.
Vision
Between 1966 and 1976 he created and directed 12 animated painting films. He was a member of the Jury at the international festivals of the animation films - Annecy (France - 1973). He has written novels such "The Blue Desert" (1996), "Exodus Toward The Light" (2002).
The Cavalcade
Wedding Traveling in Space
Images from here. Visit for more!
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Ion Creangă Memorial House
Ion Creangă (March 1, 1837 or June 10, 1839 – December 31, 1889) was a Moldavian-born Romanian writer, raconteur and schoolteacher. A main figure in 19th century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics.
Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca (tiny hut) building in Iaşi, which, in April 15, 1918, was opened as the first memorial house in Romania. Restored the same year and again in 1933-1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Muşneţanu.
Another memorial house dedicated to Ion Creangă is located in Humuleşti, a former village which has since been incorporated into Târgu-Neamţ city, Neamţ County, Moldavia, Romania. The house was built in 1830 by Petrea Ciubotariul, the grandfather of the writer and it was inhabited by the descendants of Ion Creangă until 1959. In 1937 the house was restored by the care of great historian Nicolae Iorga.
In 1944, Sofia Grigoriu (born Creangă) donate the house to the Association of Romanian Teachers. The house became a museum by a decree of 1959, but the memorial house was opened to the public in 1960. The building was donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania.
The museum represents, beyond its historical, literary, and sentimental significance, a specific item of folk architecture of the period and ethno-cultural area. Under the broad shingle roof, the walls built in heavy beams covered with a clay layer, establishes a single room with narrow windows and a lobby where you could just spin. The low entry is sheltered from rain by a narrow porch, and behind the house a wooden roof with one slope protect some household items and agricultural tools with a certain ethnographic value.
Exhibits presented are characterized by simplicity, common sense and modesty specific to the Moldavian peasant, generating a strong sense of piety, not only for what they represent to the memory of Ion Creangă, but because they are genuine testimonials of people and popular tradition of region.
Ion Creangă Memorial House on Google Maps
Panoramas by Michael Pop, from 360cities.net.
Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca (tiny hut) building in Iaşi, which, in April 15, 1918, was opened as the first memorial house in Romania. Restored the same year and again in 1933-1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Muşneţanu.
"Bojdeuca" in Iaşi
Another memorial house dedicated to Ion Creangă is located in Humuleşti, a former village which has since been incorporated into Târgu-Neamţ city, Neamţ County, Moldavia, Romania. The house was built in 1830 by Petrea Ciubotariul, the grandfather of the writer and it was inhabited by the descendants of Ion Creangă until 1959. In 1937 the house was restored by the care of great historian Nicolae Iorga.
The Memorial House in Humuleşti, painting by Aurel Băeşu
In 1944, Sofia Grigoriu (born Creangă) donate the house to the Association of Romanian Teachers. The house became a museum by a decree of 1959, but the memorial house was opened to the public in 1960. The building was donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania.
The museum represents, beyond its historical, literary, and sentimental significance, a specific item of folk architecture of the period and ethno-cultural area. Under the broad shingle roof, the walls built in heavy beams covered with a clay layer, establishes a single room with narrow windows and a lobby where you could just spin. The low entry is sheltered from rain by a narrow porch, and behind the house a wooden roof with one slope protect some household items and agricultural tools with a certain ethnographic value.
Exhibits presented are characterized by simplicity, common sense and modesty specific to the Moldavian peasant, generating a strong sense of piety, not only for what they represent to the memory of Ion Creangă, but because they are genuine testimonials of people and popular tradition of region.
Ion Creangă Memorial House on Google Maps
Panoramas by Michael Pop, from 360cities.net.
Labels:
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Ion Creangă,
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