Showing posts with label Banat. Show all posts
Showing posts with label Banat. Show all posts

Buhui Cave

The Buhui Cave is situated on the left slope of the Buhui Valley in the mountains of Anina, Southwestern Romania, at an altitude of 600 m. With a length of 3217 meters, the cave Buhui is the second longest cave in Banat and owns one of the longest underground routes in Romania; the Buhui Rivulet forms inside the cave several lakes and waterfalls.


The Buhui Rivulet is a tributary of the Caraş River in Romania. The river first flows through Buhui Lake. Thereafter it flows through the Buhui Cave and, after emerging from the cave, flows through a reach of narrow gorges before joining the Caraş River.


The cave has a gallery of various sizes, with many turns and a few big rooms along. Both of the main gallery and the rooms start as short side galleries, the end is clogged with concrete or alluvial material. The Buhui Creek appears in upstream end of the main gallery, receives the tributary stream Certej next the entry with the same name, partially losses water through sinkholes and some tears. It completely disappears next the second entry (Dolina, 975 m downstream), then it reappears 108 m downstream through an intermittent spring, forming waterfalls and deep domes up the dam at Buhui entrance. The cave can be crossed from one end to another, but to avoid more difficult obstacles is recommended the use of the three successive entries.


The Buhui Cave is impressive not only in size but also by the wide variety of galleries and halls with concretions and fossils. It has a great scientific importance due to its karst hydrology and bio-speleological aspects. Therefore it was proposed in 1969 as a speleological reserve.


Photos from here

Hunyadi Castle, Timişoara

Hunyadi Castle is a historical monument and the oldest building of Timişoara.

Image from here

The King of Hungary Charles Robert of Anjou decided after a visit in 1307, to establish a provisional residence in Timişoara. It was necessary ato build a castle to meet the needs of the King. The construction was carried out and completed by Italian manufacturers probably most likely in 1315, because in 1316, the King was already established in his new castle. He lived here for almost eight years. The building was developed around a rectangular courtyard with cylindrical towers at corners. Situated on an island, the castle was linked by a mobile bridge to the city of Timişoara, strengthened also by the King. Major renovations were done during count Pippo Spano.


Between 1441 and 1456, count of Timişoara was Iancu de Hunedoara (John Hunyadi). It has established residence here and ordered the building of a new castle on the ruins of the old palace, the royal castle, badly damaged by an earthquake. A major contribution to the building was brought by Italian architect Paolo Santini de Duccio, who was serving at the time the count. Both the castle and city fortifications were equipped with artillery adapted semicircular towers. Until 1552, the castle served as residence for all the kings who passed by. During the Ottoman occupation (1552-1716), it served as the residence of Turk dignitaries of Timişoara.


During the siege of the Austrian army which led to the reconquest of Banat, the castle was damaged, so in 1716 it was renovated being transformed into military barracks and artillery storage. In 1849, the Hungarian revolutionaries besieged the city and destroyed the castle to the ground, to the point where it was needed to rebuild it. Reconstruction and renovation works were completed in 1856, and the castle was very much modified, particularly to the facade.


Despite of many changes, the castle has kept the organization around a courtyard with corner turrets, the dungeon tower position and the "Knights Hall", details that are found also in the Corvin Castle in Hunedoara. The main facade was restored in a romantic style. Windows, ending in semicircular arc with neo-Gothic decoration above took place of the holes for the artillery and the facade was made in brick​​. The first floor with a height of two storeys comprises two vaulted rooms in Gothic style, one with three naves and the other with two, constructed of brick and supported by a series of massive columns. The building is finished in vertical plane through an attic floor and at the top of the facade is an embattled cornice.


The towers are low, rectangular, with small windows, and decorated with battlements at the top so that the roof is not visible. The main entrance has been modified and is flanked by two massive pillars that have at the top a specific collection of medieval weapons, which contribute to the aspect of a Gothic castle.

Since 1947 the castle hosts the history and nature science sections of the Museum of Banat.

Images from here.

The Banloc Manor

Banloc (Hungarian: Bánlak, German: Banlok) is a commune in Timiş County, Banat, Romania. The village was first attested on 13 May 1400 in a document given by the copyist of Cenad as "Byallak" and for almost two centuries (1552-1716) became the summer residence of the Ottoman Pasha of Timişoara. In 1716, the Banat was conquered by the Austrians. The Banloc estate became the property of Croat Ban Draskovici and in 1783 was sold to Count Lázár (or Lazarus) Karátsonyi of Beodra (today Novo Miloševo, Serbia).


In 1793 the Count built the manor and during the 19th century and in the first years of the 20th century the buildings and the park enjoyed many improvements. At the end of WWI, the Serbians occupied the manor and devastated it. Covered in debts, the last count – Keglevich Karátsonyi Imre – sold in 1935 the remains of the domain, including the manor and the park to the ex-Queen Elizabeth of Greece, the sister of King Carol II of Romania. She renovated the entire complex, so the castle knew it’s last period of glory.


U-shaped, the Banloc castle is a Renaissance-style massive building with thick walls (approx. 1.25 m) of burnt brick, with the main façade facing south and at north with two wings forming a terraced courtyard. On the south façade the sole ornament was the Karátsonyi family crest carved in stone. The heraldic insignia was retained after the castle became property of the House Royal Romania, and was taken down after 1948. Compared with the simplicity of the south facade, the north façade - especially the two wings enclosing the yard - shows several elements of decoration: Baroque windows, alto-reliefs with well-defined themes (motives and heraldic themes inspired by Greek and Roman mythology) embedded in the masonry.


In addition there are 18th century iron decorations and the wrought iron lamps (one on each corner of the court) with the year 1793 specified on them. The wooden gates are provided with 18th century iron hardware and above there is a different themed alto-relief for each entry. The castle has basement, ground floor, first floor and attic. Each floor has a central large room, two rooms at left and two at right, and three rooms on each left and right wing.


An article appeared in "Dacia" newspaper in 1939 said: "Banloc’s beauty is given by the park which takes a good part of the right wing of the village, ending its surrounding walls – like ones of a castle - in the center. At the crossroad of the alleys there are Roman statues and lapidary inscriptions, chiseled in the first decades after the conquest of Dacia, taken from Sarmizegetuza after a german paleography study enlightens me. Among the lines of trees, sit in circles and connected with the cemented wounds, one of the 100 acacia, brought to America by Maria Thereza (1740-1780). Banloc Castle walls have a Gothic sweetened line with the arrow pointed top, in front of the park. It was built on the old ground in 1783."


In 1948, immediately after the Communists seized the power in Romania, the Queen left and the manor was devastated, the statues were vandalized, and the archives and the library were burnt. Between 1950 and 1997 the building and its land were successively used as a headquarters of the agricultural association, care home for the elderly, orphanage or local school.

Photos from Wikipedia.

The Turkish Bazaar, Lipova

Lipova (Hungarian: Lippa, German: Lippa, Serbian: Lipova, Turkish: Lipva) is a town in Romania, Arad County, located in the Banat region of western Transylvania. It is situated at a distance of 34 km from the Arad and it consists of two rural settlements called Radna and Şoimoş, its total surface is 134,6 square km.


The first written record of the town dates back to 1314 under the name Lipva. In 1324 the settlement was mentioned as castellanus de Lypua, a place-name that reflects its reinforced character of that time. Situated at the crossing of the roads leading to Transylvania, Banat and Ţara Românească, Lipova had a history full of vicissitudes. It was situated strategically at the Mureş River's exit from the defile, and consequently it was an extremely enviable centre. After the Tartar invasion in 1241 the fortresses were rebuilt, and the lines of the future urban settlement started to get contoured around the castle. Due to the continuous disputes, the town has became two times under Turk administration (between 1552-1595 and between 1613-1716), and starting with 1716 it became under Habsburg domination. In the 18th-19th centuries Lipova was a well-developed economic centre with famous craftsmen working here. In the period of the revolution in 1848-49 and in the beginning of the 20th century Lipova became an important centre of political and national emancipation.


The Turkish Bazaar is perhaps the most important and interesting monument, a true emblem of Lipova. It lasts from the second phase of Ottoman rule (1613-1716), and its construction began in 1637. Its imposing proportions confirm the data in documents about the intense exchange that took place here between merchants coming from the three Romanian countries and from central Europe. The Bazaar, as it survived until today, kept its original shape, with a large facade guarded by eight massive cylindrical pillars connected by arches. In the center of the facade there is a triangular frontispiece, decorated with five ceramic discs with figures, probably added later. Behind the columns there is a wide passage, where merchants, according to Eastern traditions, exposing the merchandise to reach buyers. The rooms of the Bazaar have been transformed and adapted to other requirements during time. Under the Bazaar is a huge basement, originally used for storage.


The Turkish Bazaar is listed in the catalog of the Ottoman monuments in the world and is unique in Romania.

Photos: CiMEc, Wikipedia.

Bartók Béla - Romanian Folk Dances

Bartók Béla (Béla Viktor János Bartók, March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist. He is considered to be one of the greatest composers of the 20th century and is regarded, along with Liszt, as Hungary's greatest composer. He was born in the small Banatian town of Nagyszentmiklós in Austria-Hungary (now Sânnicolau Mare, Romania). Through his collection and analytical study of folk music, he was one of the founders of ethnomusicology. He is linked to the Romanian culture through his studies on Romanian folk music, collected first in the Carpathian Basin (the then Kingdom of Hungary), then in Moldavia and Wallachia. His melodic and harmonic sense was profoundly influenced by the folk music of Hungary, Romania, and many other nations.











Căpâlnaş Castle

Căpâlnaş (spelled also Căpălnaş, Hungarian: Kápolnás), is a village belonging to Birchiş commune, Arad County, Banat, Romania. The village was first mentioned in 1369, as Capolna. Another documentary attestation dates from 1569. In 1965, here were excavated the remains of a medieval fortress with a watchtower.


The Mocioni Castle in Căpâlnaş is the most beautiful in Arad County by the perfect harmony of proportions and simple but elegant decoration of the facade. It was designed by Viennese architect Otto Wagner who raised the castle between 1876-1879. Otto Wagner was inspired by Little Trianon at Versailles, but he did not made a facsimile of the famous model.


The Viennese architect used for the facade grooved columns, which ends with richly decorated capitals. The central stairway climbs into large folds (aesthetic closer rather to Rococo style) to a terrace located in the middle of the main facade. The ascending stairs focuses on the vertical lines of the building. In the upper register of the palace, the main design element is the cornice, artistic enlaced. The access on the terrace is made by three doors, which communicates with the ground floor lounge, where a ladder climb upstairs. The 8 hectares park offers the best conditions for rest and recreation. In front of the terrace there is a fountain in the middle of which is to be found - as in the French castles - the statue of a deer.


The Mocioni family has a rich history. In 1747, Constantine Mocioni, an Aromanian Orthodox priest, left Macedonia and settled in Hungary. The five sons were tradesmen in Budapest, gathering an impressive fortune. Two of them, Andrei and Mihai, were ennobled by Emperor Joseph II and are the ancestors of the two branches of the family: the Mocioni and de Foeni. The history of Căpâlnaş is linked with the evolution of the Mocioni branch of the family, that had initially domains in Tokay, Hungary. Mihai Mocioni's two sons were ennobled by Austrian Emperor Francisc I. Another Mihai (1811-1890) married on 2 February 1836, with his cousin, Ecaterina, from de Foeni branch, unifying the two families. Meanwhile, Ioan Mocioni de Foeni, Ecaterina's father, purchased in 1853 from Counts Alfred, Janos, Gyorgy and Camilo Zichy, 6000 acres of land in Căpâlnaş, for an amount of 260 thousand florins.


Ecaterina and Mihai Mocioni decided to establish here, and they built the French style palace that will be inherited by the last two sons, Alexandru and Eugen. The last owners of the castle were Eugen's children: Petru, Ionel and Ecaterina. Ecaterina married Count Teleki Jeno. In 1948 the castle and estates were nationalized, and later was transformed in a neuro-psychiatric hospital.

Photos from Consiliul Judeţean Arad.

Neolithic sanctuary from Parţa

The Parţa tell, located about 18 km SW of Uivar one, was situated on the banks of one of the a major branch of the Timiş River and, as it is shown by the 19th century maps drawn before the complete regularization of the river. Prior to channelization, the site was surrounded by a series of meanders channels to the west and south, and by marshy land to the east.


The first Parţa dwellings were hollow pits, which have been taken for hovels and surface dwellings. The houses from this were are small and usually grouped in pairs. This lay-out presumably was determined by the organization of the family and by certain property relations. At the core of the settlement, an isolated house has been uncovered which, due to its central position and due to the fact that it was built above the sanctuaries 1 and 2, has been taken for a possible building for worship. In this first stage, the Parţa settlement was not fortified.

A virtual visit in the settlement.

Further, a settlement planning can be observed, in which the dwellings have been grouped around two structures of similar sizes, erected in the middle of the settlement, so reflecting the social value of the sanctuary as place of manifesting magical rituals. Around the two structures, the houses lied at a certain distance forming a small square. With only two exceptions, all the houses were aligned along the east-west axis, the orientation being dictated, by the strong gusts of the summer storms blown from the west.


The research carried out has shown that the two structures in the small square played a special role for the community life of Parţa. One of the structures, 12.6 m long and 7 m wide, is a sanctuary inside of which altars for offerings, monumental statues and columns once stood. On the northern wall there was an altar-table A which was oriented towards the south. On a clay socket stood an idol bust. In the western part, guarded by two posts, lay altar–table B. Inside the altar, several flint blades which were used for sacrifices were discovered. In the eastern part lay altar C, and at the center of the sanctuary there stood a clay column.


The exterior shows symbolic elements as the Moon and the Sun, the sacred hand grinding mill – which intensifies the magical power of the place. The Neolithic sanctuary from Parţa, the construction, which was favored by the existence of a strong religious, economic and social center, reflects the transmission of basic elements necessary for the creation of a spiritual-magical space according to the beliefs and rituals of that time, transmitted from one prehistoric civilization to another, originate from the latest Neolithic settlements – ancient cultural centers; meanwhile becoming traditional.


To the south of sanctuary 1 lay a structure of similar size that might have fulfilled a social function and namely that of “the house of the tribe”. A fortification system also was built into this level of habitation and was made up of four parallel ditches, lined inwards by four palisades that protected the settlement from the west, north and east sides.


Beginning with these elements that are part of the expression of the important place held by the religious space in the life of the human communities, built from resources of nature – as wood, clay, different vegetal materials, rock – which are crossed on magical symbols, we reach the recognition of all these during historical periods accurately maintained by the local popular tradition. Like the maintenance of the tradition of using natural materials as raw materials in the construction of different buildings and religious places, other practices, rituals and object have been maintained, which can be found nowadays in the popular tradition.

Sources: Muzeul Banatului, European Virtual Museum.

Bulci Castle

Bulci is a village in Bata commune, Arad county, Banat, Romania. Older names: Bulch, Bulchu, Bulciu, Bulcz, Bulţ, Bulţi, Bulczy, Bols, Bolş Bwlch, Wulch, Vulci.


Since the Roman period there was a Roman camp and a castrum belonging to the Legion XIII Gemina. Bricks bearing the inscription of the legion, were used to build a medieval monastery of the Benedictine monks, dating back at least the 13th century, one of the oldest and richest in the Banat. In 1241, many monasteries in Banat were destroyed by Tatar invasions. Attracted by the grandeur of the abbey and church, Tatars attacked them and terrible battles were fought here. Monastery of Bulci was destroyed by the Tatars, and was rebuilt by Bishop Bulcsú, from whose name comes the name of the village. In 14th century monastery became an important cultural center where working clerk, from which was kept a codex containing the texts of the Roman historian Titus Livius. Later in the 16th century (1551-1552), Bulci monastery was subject to the Turkish attacks in Transylvania, and the village was almost entirely destroyed. Who escaped with their lives fled to other cities of the Mureş Valley, living over one hundred years away from their village, but still keeping their Catholic faith. In 1749, the monk Berecky Hiarion founded again Bulci village, seeking the descendants of those who left the village during the Turks and rebuilding the old church. In the mid 18th century Bulci belonged to the Austrian-Hungarian Empire.


The first known owners were the Varadi family (early 13th century). In the 15th century, the domain belonged to Goroy Jobt, and had approx. 1500 inhabitants. In 1664 it was owned by Janka family. In 1717, Bata had only eight houses. In 1798 it was rented by Kormelycs Karol. The castle in Bulci was built in Neo-Classical style in the early 19th century by Baron Fechtig-Fechtenberg, the owner of the domain since 1838, but received the current form around 1860. The domain was bought in March 30, 1858 by Austrian Baron Anton Mocioni (or Mocsonyi) de Foen. Subsequently, it was inherited by his son Zeno (1842-1905), who payed as a compensation to his brother Victor (who has spent his life abroad) an annual rent of 10 000 gold florins. The next owner was Baron Antoniu Marius Mocioni de Foen, MP, minister and grand master of hunting of the Royal House of Romania. The castle experienced an intense social life, so King Carol II often came here for hunting. The domain was inherited by the adoptive son of the Baron, Ionel Mocioni-Stârcea, secretary of the King. After 1940, here have been arranged rooms for Queen Mother Elena and King Michael I. Castle of Bulci was nationalized and transformed in 1949 into the seat of an agricultural association. Subsequently, here was arranged a TB preventorium. The castle was claimed by Michael Stârcea, nephew of Ionel Mocioni-Stârcea.


Located in a huge park, on the bank of Mureş River, Bulci castle is one of the most impressive buildings of its kind. On the facades of the building are two terraces with family's coats of arms carved in relief, which survived to destruction after the Second World War. Central body has a beautiful room of weapons, with a magnificent fireplace, and the park was a greenhouse. Besides the castle, Antoniu Mocioni built a church and a school for children in the village.

Secession Style in Timişoara

The "Little Vienna" tag is particularly pertinent in this delightful city which boasts a wealth of Secessionist (Art Nouveau or Jugendstil) architecture.

Timisoara developed considerably during the late 19th century and early 20th century, during which period significant technical advances were made; first town in Europe to have gas street lighting (1857), one of the first to introduce trams, and the first in Romania to have a public water supply. It had also become the the communications and administrative hub of the Banat with the coming of the railway, the canal and improved roads. This period saw considerable expansion with new well-planned districts of housing and factories being created south and east of the Bega Canal - in particular Iosefin, Elisabetin and Fabric. This wave of construction attracted many creative, imaginative designers during the opening years of the 20th Century, drawing their inspiration from the architects of the Austro-Hungarian Empire to which the Banat still belonged. Most significant at this time were the pioneers of the Jugendstil (Art Nouveau or Secessionism) such as Ödon Lechner in Hungary and Otto Wagner in Austria.

The Secessionism developed in two distinct architectural phases in Timisoara, the first which was typified by sinuous lines and floral decorations lasted until 1908. The secomd phase, which continued until the first world war, saw simpler, larger buildings with geometrical designs. Notable among these architects of the Art Nouveau in Timişoara were Laszlo Szekely (1877-1934) who designed both municipal buildings and factories, in addition to residential apartments and villas, and Martin Gemeinhardt. In many respects it is the abundance of Secessionist architecture that has provided Timişoara with its rather appropriate tag,"Little Vienna".


Banca de Scont (Marcell Komor and Dezso Jakab, 1906-1908)



Banca de Scont, detail



Banca de Scont, detail



Banca de Scont



Peacock House, detail (Martin Gemeinhardt, 1905)



Peacock House, detail (Martin Gemeinhardt, 1905)



Piarists' College (László Székely, 1907-1912)



Piarists' Church (László Székely, 1907-1912)



Neptun Public Baths (László Székely, 1913)



National Bank of Romania (Hubert, 1903-1904)



The Old Slaughterhouse (László Székely, 1904)



Brück Apartments (László Székely)



Emmer House (László Székely)



Dauerbach Palace (László Székely)



Hilt Palace (Hilt & Vogel Apartments, László Székely)



Széchenyi Palace (Szechenyi Company Apartments, László Székely, 1913)



Neuhausz Palace (Neuhausz Apartments, Anton Merbl, 1911)



Merbl Palace (Anton Merbl, 1911)



Weiss Palace (Weiss Apartments, László Székely, 1911)



Lloyd Building (now part of the Polytechnic University, Lipot Baumhorn, 1912)



Lloyd Building (closer view)



Löffler Palace (Leopld Löffler, 1912-1913)



Serbian Bishop's Palace (László Székely, 1907)



Fabric Synagogue (or Sinagoga Maura, Lipot Baumhorn, 1899)



City Alms House, detail (László Székely, 1908-1909)



Union Place