Gilău (Hungarian: Gyalu, Saxon German: Gelu, German: Gelau, Julmarkt, Jalmarkt) is a commune in Cluj County, Romania, located at 15 km west of Cluj. In the south of the village are remains of a Roman military camp (castrum) and a Roman civilian settlement. It was the first castrum in Transylvania where archaeologists have clearly identified the sequence between the camp of earth and wood and the stone camp that followed (dimensions: 138 x 221 m). Etymologically, it was hypothesized that such the name Gilău derived from Gelu. According to the anonymous chronicler of King Bela IV, prince Gelu died at the confluence of Căpuş Creek with Someşul Mic River on Gilău village territory, while withdrawing from the Hungarian hordes of Tuhutum to his citadel Dăbâca (ad castrum suum).
Wass-Banffy Castle in Gilău is a historical monument of Cluj County, being surrounded by a natural park of approximately 11 hectares. Initially a fortress, it was built after the year 1439, by order of Bishop Lepes and in the 1500s, was transformed into a castle in the Renaissance style, by Bishop Gerb László. Between 1599-1601, the castle belonged to Michael the Brave. As a result of a fire, the castle was damaged and after that was rebuilt and restored several times. In the last decades, the castle was used by the Gilău High-school.
Images from www.Rumaenienburgen.com.
Showing posts with label Braşov. Transylvania. Show all posts
Showing posts with label Braşov. Transylvania. Show all posts
Wass-Banffy Castle, Gilău
Viscri fortified church
The village of Viscri (German: Deutschweißkirch or simply Weißkirch; Hungarian: Szászfehéregyháza), is part of Buneşti commune in Braşov county and is best known for its highly fortified church, originally built around 1100 AD. It is part of the villages with fortified churches in Transylvania, designated in 1993 as a World Heritage Site by UNESCO.

The church was built in the 12th century by Szekely (Szeklers, Hungarian ethnics) colonists and taken over by Saxons colonists in 1185. In the 12th century, that is in the first stage of German colonization in Transylvania, the Saxons had built a Romanesque church, which, having been pulled down by the Tartar invasion in 1241-1242, was replaced by an edifice which has been preserved to the day.

Though small in size, the Gothic Church at Viscri impresses by the grandeur of its walls made of roughly shaped stones. The plan of the former Saxon Romanesque church had been simple, with a single nave, a flat ceiling and a semicircular apse on its eastern side. In the 13th century a keep was built onto the west of the church, the choir was extended eastward and shortly afterward the church was enlarged as far as to the tower. During a third phase of construction at the end of 15th century, the church was converted into a fortified church by adding battlements to the choir and the West Tower. In the chancel one can see what was left of a Romanesque pillar, ended in a cornice capitel (actually the only one known in Transylvania), alongside a triumphal arch left also form the former church. After 1743 a covered corridor for the storage of corn was built. A century later, two chambers in the defense corridor of the bastion were turned into school rooms. The classic 19th century altar has as centerpiece "the Blessing of the Children" by the painter J. Paukratz from Rupea. The font was made from a capital of the 13th century church. The furniture of the Church is decorated with folk Saxon motifs.



The residence tower alongside its outbuildings placed in an oval enclosure that had once (in the 13th century) been home to the village's headman were actually the core of the Peasant Fortress built in the 14th century, and restored, together with the Church, in the 16th century. The Fortress has two precinct walls. The inner one, provided with four towers and two bastions, has been preserved to the day. On the wall, one can still read that restoration works were made in the 17th century under the guidance of architect Hartmann, and having the following motto ‘In pace de bello et in bello de pace cogitatis'.

Mention should be made of the covered wall-walk of the fortification, linked to the four towers and to the Church. At times of war, it would allow people's safe moving along within the Fortress. The fortification has a stone arched entrance and four upper levels which can be reached by the wall carved steps. The walls have a depth of five meters which were built from the nearby river's stones.

The Church and the Peasant Fortress display three different building materials, namely stone mixed with partially plastered brick for the precinct walls, towers, as well as for the Church's walls and spire; wood used to encircle the precinct walls and the towers, and placed below the cornices and along the bracket corridors; tile which covers the Church's and the towers' tall roofs. Their corresponding colors, i.e. white, brown and red make the buildings' complex look particularly picturesque. To this effect contribute also the Church's buttresses, with lateral entrances to the nave, alongside the very narrow space left between the Church and the Fortress, keeping with the rural styles during the Middle Ages.

The church was built in the 12th century by Szekely (Szeklers, Hungarian ethnics) colonists and taken over by Saxons colonists in 1185. In the 12th century, that is in the first stage of German colonization in Transylvania, the Saxons had built a Romanesque church, which, having been pulled down by the Tartar invasion in 1241-1242, was replaced by an edifice which has been preserved to the day.

Though small in size, the Gothic Church at Viscri impresses by the grandeur of its walls made of roughly shaped stones. The plan of the former Saxon Romanesque church had been simple, with a single nave, a flat ceiling and a semicircular apse on its eastern side. In the 13th century a keep was built onto the west of the church, the choir was extended eastward and shortly afterward the church was enlarged as far as to the tower. During a third phase of construction at the end of 15th century, the church was converted into a fortified church by adding battlements to the choir and the West Tower. In the chancel one can see what was left of a Romanesque pillar, ended in a cornice capitel (actually the only one known in Transylvania), alongside a triumphal arch left also form the former church. After 1743 a covered corridor for the storage of corn was built. A century later, two chambers in the defense corridor of the bastion were turned into school rooms. The classic 19th century altar has as centerpiece "the Blessing of the Children" by the painter J. Paukratz from Rupea. The font was made from a capital of the 13th century church. The furniture of the Church is decorated with folk Saxon motifs.



The residence tower alongside its outbuildings placed in an oval enclosure that had once (in the 13th century) been home to the village's headman were actually the core of the Peasant Fortress built in the 14th century, and restored, together with the Church, in the 16th century. The Fortress has two precinct walls. The inner one, provided with four towers and two bastions, has been preserved to the day. On the wall, one can still read that restoration works were made in the 17th century under the guidance of architect Hartmann, and having the following motto ‘In pace de bello et in bello de pace cogitatis'.

Mention should be made of the covered wall-walk of the fortification, linked to the four towers and to the Church. At times of war, it would allow people's safe moving along within the Fortress. The fortification has a stone arched entrance and four upper levels which can be reached by the wall carved steps. The walls have a depth of five meters which were built from the nearby river's stones.

The Church and the Peasant Fortress display three different building materials, namely stone mixed with partially plastered brick for the precinct walls, towers, as well as for the Church's walls and spire; wood used to encircle the precinct walls and the towers, and placed below the cornices and along the bracket corridors; tile which covers the Church's and the towers' tall roofs. Their corresponding colors, i.e. white, brown and red make the buildings' complex look particularly picturesque. To this effect contribute also the Church's buttresses, with lateral entrances to the nave, alongside the very narrow space left between the Church and the Fortress, keeping with the rural styles during the Middle Ages.
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