Showing posts with label Carol I. Show all posts
Showing posts with label Carol I. Show all posts

Peleş Castle

Peleş Castle is considered by many one of the most beautiful castles in all Europe. It is a Neo-Renaissance castle placed in an idyllic setting in the Carpathian Mountains, in Sinaia (44 km from Braşov and 122 km from Bucharest), in Prahova County, Romania, on an existing medieval route linking Transylvania and Wallachia.


King Carol I of the Romanians (1839–1914) first visited the region and future site of the castle in 1866, when he fell in love with the rugged but magnificent mountain scenery. So, in 1872, a total of approx. 1,300 acres (5.3 km2), was purchased by the King and Piatra Arsă region becomes The Royal Domain of Sinaia, destined to be a royal hunting preserve and summer retreat for the monarch. The building of the castle began on August 22, 1873 under the direct order of the Viennese architect Wilhelm Doderer and was continued in 1876 by his assistant, Johann Schultz de Lemberg. Because of the the Independence War, between 1877-1879 the works were abandoned. That's why the castle was inaugurated only on October 7, 1883. Several other buildings, annexed to the castle, were built simultaneously: the Guard's Chambers, the Economat Building, the 'Foişor' Hunting Chateau (with 42 rooms, designed in the Swiss style), the Royal Stables. The power plant was also constructed then, and Peleş became world's first castle fully operated by electric power. The 'Şipot' Villa was constructed later. To the initial castle the Czech architect Karel Liman added, during 1896-1914, Pelişor, a small castle with 70 rooms.


Between three and four hundred men worked consistently on it. Queen Elisabeth of the Romanians, during the construction phase, wrote in her journal: "Italians were masons, Romanians were building terraces, the Gypsies were coolies. Albanians and Greeks worked in stone, Germans and Hungarians were carpenters. Turks were burning brick. Engineers were Polish and the stone carvers were Czech. The Frenchmen were drawing, the Englishmen were measuring, and so was then when you could see hundreds of national costumes and fourteen languages in which they spoke, sang, cursed and quarreled on all dialects and tones, a joyful mix of men, horses, cart oxen and domestic buffaloes".


The castle was built in wood, stone, bricks and marble and comprises more than 160 rooms. The representative style used is German Renaissance, but one can easily discover elements belonging to the Italian Renaissance, Gothic, German Baroque and French Rococo style. Peles is surrounded by seven terraces decorated with statues (sculptured by the Italian Romanelli), stone-made-wells, ornamental vases in Carrara marble. The architects used an abundance of wooden decoration, both for the exterior and for the interior of the castle, which confers a very special quality to the building. Quite outstanding are the Big Armory Room, the Small Armory Room, the Florentine Room, the Reception Room (where paintings and wooden sculptures depicting 16 castles of the Hohenzollern are exhibited), the Moorish Room, the French Room, the Turkish Room, the Council Room, the Concert Room as well as the Imperial Suite.


Other exquisite attractions such as the statues, the ceramics, the gold and silver plates, the Meissen and Sèvres porcelain, the Murano crystal chandeliers, German stained-glass windows, walls covered with Cordoba leather, ebony and ivory sculptures, as well as the extensive weapon collections are worth mentioning. It is also important to know that Peleş Castle shelters one of the most important and most valuable painting collections in Europe, almost 2.000 pieces.


Peleş Castle has 3200 sq. meters of floor plan, over 170 rooms, 30 bathrooms, many with dedicated themes from world cultures (in similar fashion with other Romanian palaces), themes that can vary by function (offices, libraries, armouries, art galleries) or by style (Florentine, Turkish, Moorish, French, Imperial) all extremely lavishly furnished and decorated to the slightest detail. The establishment hosts one of the finest collections of art in East and Central Europe, consisting of statues, paintings, furniture, arms and armor, gold, silver, stained glass, ivory, fine china, tapestries and rugs; the collection of arms and armour has over 4000 pieces, divided between Eastern and Western war, ceremonial or hunting spreading over four centuries in history. Oriental rugs come from the finest sources: Bukhara, Mosul, Isparta, Saruk and Smirna, porcelain from Sèvres and Meissen, leather from Córdoba but perhaps the most acclaimed are the hand painted stained glass, mostly Swiss.


Almost adjacent to Peleş Castle is Pelişor ("Little Peleş"). King Ferdinand, who succeeded Carol I, intended to use Peles Castle as a summer residence. Supposedly he found Peleş too big and overwhelming, so he commissioned the smaller, Art Nouveau style, Pelişor Castle. Pelişor's 70 rooms feature a unique collection of turn-of-the century Viennese furniture and Tiffany and Lalique glassware.


After King Michael's forced abdication in 1947, the Communist regime seized all royal property, including the whole Peleş Estate. The castle itself was opened as a tourist site for a short time. It also served as a recreation and resting place for Romanian cultural personalities. The castle was declared a museum in 1953. During the last years of the Communist regime, between 1975–1990, Nicolae Ceauşescu closed the entire estate. The only persons permitted on the former royal estate were maintenance and military personnel. The whole area was declared a State Protocol Interest Area.


After the December 1989 Revolution, Peleş and Pelişor Castle's were re-established as heritage sites, open to tourists. Today, the Foişor Castle serves - like in the past - as a presidential residence, unlike the rest of the estate. The Economat Building and the Guard's Chambers Building are now hotels, restaurants and terraces having been established as well. The rest of the Peleş Estate became either tourist villas or state protocol buildings. In 2006, the Romanian Government announced restitution of the castle to King Michael I of the Romanians, the former monarch. Soon after re-obtaining the property, negotiations began between the former King and the Government and Peleş once again became a national heritage site open to the public as a historic monument and museum. In exchange, the Romanian Government granted 30 million euros to The Royal House of Romania. The sum for the remaining villas and surrounding chalets and chateaus are still being negotiated but will eventually remain in possession of the state and touristic circuit after repurchasing (2007). Every year since opening, Peleş Castle received a half million visitors every year. Of the 168 rooms in the castle, only 35 are accessible to the public. While an important area is in the upper levels, this is off limits. Only the museum in the basement and the rooms on the first floor can be visited.

After Wikipedia, Braşov Travel Guide, and other sources.

Bucharest Royal Palace

In 1837, the Wallachian ruling Prince Alexandru Ghica moves his official residence to the large mansion built between 1812 and 1820 by boyar Dinicu Golescu on the site of the present-day south wing of the Palace. Following the Union of the Romanian Principalities of Moldavia and Walachia in 1859, ruling Prince Alexandru Ioan Cuza uses the house as a ceremonial palace and residence. In 1866, German Prince Karl of Hohenzollern-Sigmaringen (since 1881 King Carol I of Romania), brought in to rule the Romanian Principalities, makes the palace his official residence. Until 1881, the building sustains only minor alterations (mostly additions) designed to meet growing administrative needs.


Between 1882-1906, King Carol I remodels and enlarges the palace. Successively he hires French architect Paul Gottereau and German architect Karl Liman (also involved in the Peleş Castle project). By 1906 the palace becomes the winter residence of the Royal Court.


In December 1926, a fire destroys the central part of the palace and the Throne Hall. King Ferdinand I and Queen Marie (granddaughter of Queen Victoria and of Tsar Alexander II of Russia) undertake to reconstruct the affected area retaining the original size and decoration of the rooms. Architects N.N. Nenciulescu and Karl Liman are commissioned to carry out the project. The government recommends that at least one floor be added above the Throne Hall. Between 1930-1937, King Carol II embarks on rebuilding and extending the palace; architect Karl Lorentz is hired to draw the plans. The restoration of the central part is completed. The old city mansion erected by Dinicu Golescu is demolished to provide room for a new south wing (known as the Kretzulescu wing, after the church in whose proximity it is built). Architect N.N. Nenciulescu is once again in charge of the works. Closely following the king’s instructions, he designs the new wing of the palace, which has remained virtually unchanged to this day and which includes several rooms devoted to the display of the royal collection (mostly of the Picture Gallery of King Carol I). Between 1938-1940, the Royal Palace is further enlarged by the addition of a north wing extending along Ştirbei Vodă Street, from which it takes its name.


During the massive air raid in April 1944, about 80 heavy bombs hit the palace; the Ştirbei wing is partly destroyed, yet the building retains the shape and the classicist style of the reconstruction works done during the reign of Carol II. Following the abdication of King Michael I in 1947 and the communist takeover, the royal palace is nationalized in June 1948. It is to be jointly used by two institutions - the Council of Ministers and a National Museum of Art whose project dates several years back.


On 20 May 1950, the National Gallery, displaying works by famous Romanian artists, is officially inaugurated. Over the following four years the Foreign Art Gallery, exhibiting both European and Oriental art, and the Department of Romanian Medieval Art are established. In 1961 the museum is relocated from the south to the north wing, completely rebuilt by that time. It will remain open for visitors until 1989.


During the events in December 1989, which put an end to Ceauşescu’s dictatorship and to the communist regime in Romania, the palace is caught in the crossfire; both the building and the collection suffer great losses, with over 1,000 works of art badly damaged, and some completely destroyed.


In 1990 the museum is granted the use of the entire royal palace. Between 1990-2000, the permanent display of the museum is closed to the public, as the building undergoes extensive restoration, including the overall refurbishment of the exhibition areas in compliance with the latest conservation standards. In 2000, The Gallery of European Art is the first to reopen for visitors. The Gallery of Romanian Modern Art and the Gallery of Romanian Medieval Art follow suit in 2001 and 2002, respectively.

Bucharest system of fortifications

One of the most well-tuned system of fortifications in eastern Europe, a historical legacy, lies in the dirt around the capital. Built on order of King Carol I, between 1882 - 1894, the defense system around Bucharest - 36 forts and batteries - was thought to protect the city in case of attack and to house 30,000 soldiers. Over one hundred years since then, only 30 buildings have survived.


The history of fortified belt begins with the arrival of King Carol I on the Romanian throne in 1866. The work began in 1882, the projects being undertaken by Belgian General Henri Brialmont, one of the most appreciated of the time military engineers who designed the fortifications in Liège, Namur, Antwerp. "A strengthened Bucharest would increase the military importance of Romania, so it will be able to refuse to participate in a war which would not agree, or to request advantages, which could not otherwise claim", claimed then General.


Batteries and forts are arranged every two kilometers on the ring road. First were built the forts - Chitila, Mogoşoaia, Otopeni, Jilava - then the rest, then came the batteries. King Carol I paid a fabulous sums for this public project: the equivalent in lei / gold of almost 620 million Euros. World War I played a prank on the glorious future of the fortifications. A month before the start of the war, minister Ion I.C. Brătianu decided by a secret order, the disarmament of the units. There are voices who claim that the decision was made after the German troops were able to obtain the construction plans.


Today, what was intended to be defensive glory of King Carol I was particularly dust. Of the 36 fortifications, today remained only 30. Some are flooded, as is the Jilava fort, others were either converted in warehouses (the battery in the courtyard of the National Film Archive) or remained in the wilderness (The battery 14-15 and battery 9-10 from Măgurele at the entrance on Sun's Highway).


Rehabilitation of the system of fortifications, almost unique in Europe, could bring many benefits in terms of financial capital. "Before their introduction into the touristic circuit, we need to solve the transport system and greening the area. To do this would be a wonderful tourist route", claimed the Director of Administration of Monuments and Travel Heritage.

Great Mahmudiye Mosque

A landmark of the Turkish role in the region, the Great Mahmudiye Mosque (known also as Carol I Mosque) of Constanţa was built between 1910-1912, during the reign of King Carol I, as a copy of Konieh Mosque (Anatolia - Turkey), unique in the whole Dobrudja area. The faithful name it "Kral camisi" or "Geamia Regelui" (King's Mosque).


The mosque is the first building in Romania made of reinforced concrete, by engineer Gogu Constantinescu and architect Victor Ştefănescu. It is designed in Egyptian-Byzantine style, with some Romanian architectural features, making it one of the most distinctive mosques in the area. It features a 50 meter high minaret, built in Moorish style, which offers a stunning view of the old downtown and harbor. Five times a day, the muezzin climbs 140 steps to the top of the minaret to call the faithful to prayer.


The mosque is the seat of the Mufti, the spiritual leader of the 55,000 Muslims (Turks and Tatars by origin) who live along the coast of the Dobrudja region. The centerpiece of the interior is a large Persian carpet, over 200 years old, a gift from Sultan Abdul Hamid. Handmade woven at the Hereche Handicraft Center in Turkey, it is one of the largest carpets in Europe (9x16m), weighing 500 kg. The Carol I Mosque in Constanţa is the center of Islam in Romania